Rare Meissen beaker in the Sèvres style, by Johann Georg Loehnig, c.1775

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Rare Meissen chocolate cup of tall beaker form, superbly painted by Johann Georg Loehnig with two panels of cherubs in clouds, in his distinct ‘stipple’ technique, imitating Vincennes/Sèvres products of the mid-18th century, set within ornate leaf & flowers raised & tooled gold frames, the foot with a solid gold band.

Crossed swords mark in underglaze blue, also indistinct underglaze ground-painter’s mark, pressnumer ‘.9’ (or ‘6.’) in the foot rim

Circa 1775

7cm high, 7cm wide

This chocolate cup is a very rare example of the Germans copying the French. Meissen, the pioneering porcelain manufacturer, had led the field in European porcelain, inventing and defining the styles from their first creations in the first decade of the 18th century. By the 1770’s, they had a large number of competitors, and lost their lead as innovators to other makers. There are several shapes ‘borrowed’ from France, and this cup shows the strong interest in the ‘French’ taste, decorated in a design that first appeared in Sèvres products in the 1750’s. While the Sèvres examples were based on the paintings and prints of Boucher, it has been suggested that the designs for the Meissen examples 25 years later came from the works by Schenau (Johann Eleazar Zeissig), Director of the Royal Academy of Arts in Dresden – who was himself directly influenced by the works of Boucher.

Very few examples are to be found of this direct copying, and appear to be limited to a few very exclusive tea sets – and chocolate, as seen here – made for the most wealthy of customers.

This cup, along with its companion, is said to have come to Australia in the 19th century, to be passed down several generations in Geelong, Victoria, before it was brought into our premises in Geelong in 2024.

There is a tea-tray in the Munich Museum which is so exactly related to this cup, we speculate it may be the original for a split-up setting – perhaps a teapot, a coffee/chocolate pot, a sugar bowl, and two cups & saucers sat on this as a dejeuner set. The main scene is Venus and attendant cherubs amongst clouts, while the small panels in the border feature trophies, with the borders around each being the exact leaf & flower design seen on this cup. There is an identical dentil border to the rim.

ref. Hermann Jedding ‘Meissen Porcelain of the 18th century’ p 104, pl. 179 for a tray with the exact same figures, ground and fine gilt borders, described as being painted by Johann Georg Loehnig, who “…preferred preferred vessels in royal blue… which he painted with putti, lovers or portraits, often using the stippled dot technique”.  He describes the borders: “etched gold tendrils and flowers… the refined delicacy of French taste was also sought in Meissen”.

The tray illustrated is in the Munich Bayerisches Nationalmuseum , dated 1770.

 

A tray ‘manner of’ Loehnig sold at Christies, 2008: https://www.christies.com/en/lot/lot-5053653

Lempertz example of a complete service:

The V&A has a single example of his work:

 

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