Dihl et Guérhard, 1781-1828

Dihl et Guérhard, Paris Porcelain manufacturers 1781-1828

The firm of Dihl et Guérhard was initially established in 1781, under the patronage of the duc d’Angoulême – even though he was only 5 at the time!  This Royal Patronage was essential, as the Royal Decree of 1766 had given the monopoly of Gold & Colour decoration to porcelain to the Royal factory of Sèvres.  However, any concerns with Royal Patrons were exempt from the restriction.   When the Ancien Regime was swept away in the Revolution a decade later, the firm engaged with the new wealth of the French Republic, producing a superb quality range of luxurious porcelain that rivalled the State-owned Sèvres factory.

Christophe Dihl was a German ceramics expert, and Antoine Guérhard was his French partner with the money. His wife Louise-Françoise-Madeleine was the brains who kept things running. When her husband died in 1793, she ran it alongside Dihl, and 4 years later they were married. She went on to out-live him, and the factory; it found it hard to survive in the age after Napoleon, and went out of business in 1828. Dihl died 1830, Louise in 1831.

 

Below: Large French bisque porcelain group, depicting Astraeus (Dusk) with the Anemoi (his children, the four winds),  attributed to Dihl et Guérhard, circa 1790

 

Bisque figure group, 'Astraeus & the Anemoi', by Dihl et Guérhard, Paris, c.1790 -33306

Gardner of Moscow

The Russian porcelain factory of Francis Gardner is fascinating; he was an Englishman, and set up a factory near Moscow in 1765. This became incredibly successful, and a rival for the Imperial Russian factory. Indeed, the Gardner firm produced some services for the Imperial family. French style was a major influence, although he cleverly attracted the Russian wealthy’s interest by producing ‘table figures’ of local tradesmen, peasants, and soldiers.

Gardner of Moscow

Zaccagnini – Italian pottery manufactory, 1905-1960’s

Zaccagnini was an Italian pottery manufactory, manufacturing 1905-1960’s in Florence.

Originally making historical Della-Robia majolica type pieces in the Renaissance manner, they moved on to become forerunners in the ‘Hollywood Regency’ style. Their design success led to a thriving export market.

A 1928 move to a hilltop factory led to the use of the ‘Z’ mark intersected by a curve of a hill.

1964 was the last major year of production.