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A Chinese Musical Ensemble

Chinese Qing Dynasty Musical Instruments Painting

A remarkable folio of 200 year-old Chinese paintings recently came to Moorabool. They are large-scale examples of the ‘China Trade’ paintings, usually seen on a smaller scale on ‘Pith-paper’. These are on a thicker paper, using Mulberry bark as the basis, hence known as ‘Mulberry Paper’.
They were popular with the European traders who came to Canton to buy Tea, Silk, Porcelain, and exotic Eastern produce. Rare early examples can be the mid-18th century, but they became very popular by around 1800 as trade flourished.
Their subject matter reflects this intention as a ‘souvenir album’ – the distant ancestors of the postcard folio of the modern tourist.

‘The Story of Tea’, small folio, ex-Moorabool Antiques

One theme was ‘The Story of Tea’, showing the process it went through from the bush to the tea chest- appropriate considering the intended customer, visiting European merchants. Another rarer series follows the manufacture of Porcelain.


By far the most popular subjects were the everyday people that visitors would have seen on the streets – the umbrella mender, the fish sellers, the hat maker. Crime & punishment folios featured many macabre details not suitable for children… Others have children playing with toys, the dress of the wealthy & court, and the bright & lively processions for various holidays and celebrations.

Camellia Sensis, tea plant, Chinese Export pith painting
Camellia Sensis, tea plant, Chinese Export pith painting, Moorabool Antiques

A third group served as a ‘Visual Encyclopaedia’ – with subjects such as flower specimens, birds & fish specimens, ship types, and even ’Antiques’. This album we are showing here belongs to this group, a Musical Instrument ‘visual guide’.


Occasionally there are small-scale pith paintings of Chinese musicians playing the various instruments –
but it seems these depictions of instruments on this album are quite rare.
No comparable example could be found.

Chinese Pith Painting - Musical Procession
Chinese Pith Painting – a Musical Procession, c. 1830-50 Moorabool Antiques

They represent a large number of Chinese musical instruments, as were used in the early 19th century when they were painted. As a folio, they were a document of the types of Chinese traditional instruments, which brings to mind it’s purpose: to the Westerners who were often the clients for the China-Trade paintings, they were curios; to the Chinese, they would be a fine reference folio for the musically minded – a tutor to a prince, perhaps?

Chinese Qing Dynasty Musical Instruments Painting
Ready to play….. a finely detailed Chinese Qing Dynasty Musical Instrument Painting depicting a ‘Qin’ harp, circa 1800- 1830

A total of 20 instruments are depicted, some single, several double, and two triple.

These works are for sale individually, or talk to us if you are interested in the complete group, or part thereof. Individual prices – $750 each, all 11 total price $7,000

Other Chinese Paintings

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Zangzhou Ceramics, Ming Dynasty

Formerly known as Swatow Wares….

A selection of Zangzhou pieces, either from the Binh Thuan wreck (1608) or of the exact type recovered from it in 2002.

Zangzhou (Changchow) is a major production centre for this type of distinct porcelain body, and appears to have been focused on the export market to South-East Asia in the 16th-17th century. Older literature discusses them as ‘Swatow’ or  ‘Provincial’ Ming, but excavations in the 1950’s in Fujian Provence located numerous ceramic production centres, with Zangzhou on the Jiulong River giving the name to this category of ceramics.

The wares are varied, with blue & white, celadon, and polychrome enamels all appearing. The best way to examine the product is through the Binh Thuan Shipwreck, which was filled with tens of thousands of pieces from this source. This ship went down in circa 1608, and contained a large number of blue & white pieces, as well as enamelled wares and pieces with blue underglaze and enamelled colours overglaze. This rarely survives in good condition as it is vulnerable to wear, especially in the context of a shipwreck….

Fragile onlgaze colours on Zangzhou porcelain – the bowls at the back were once decorated like the rare example in the foreground, all from the Binh Thuan Shipwreck (1608), but seawater wears it off…. the example at the right has never been under the sea.

One way to recognise this product is through the firing technique; dishes & bowls were placed onto rough granitic sand, which allowed the pot to be safely removed from the kiln without sticking. In the shipwreck examples, this still survives in its original extent; in pieces that made it to market, this has been carefully removed prior to sale as it is extremely sharp!

See our Ming Ceramics here >>

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A Happy FooChow buddha, by Du Hua, circa 1900

A Happy Buddha

Qing Dynasty lacquer Buddha & stand, by Du Hua of Foochow.

Foochow (Fuzhou) is the capital of Fujian provenance, and as one of the five Chinese ‘treaty’ ports, has been completely open to Western merchants since 1842. As a result, local craftsmen flourished and the city became well known for its high quality exports of lacquerware (脫胎漆器), paper umbrellas, carved cork pictures, and horn combs. Du Hua was a master lacquer maker, operating in the late Qing Dynasty. The pieces are finely carved from wood, then coated with multiple layers of lacquer. This is made from the sap of the beautiful ‘Rus’ tree – highly toxic and a relative of ivy!