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Selection of Fresh Stock just released.

Welcome to another ‘Fresh Stock’ release from Moorabool.

There’s a large number of pieces being posted onto, with some super rare pieces appearing in these last weeks of 2022.

Prices are ‘tempting’….. with plenty under $50, and under $100.

Here’s a selection of 18th & 19th century ‘FRESH’ pieces.

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Fresh Stock – Christmas is nigh!

Moorabool's Christmas, 2022

With Christmas approaching fast, Moorabool is ready to help with Presents. On this website, you’ll find over 10,000 interesting items to consider….

We have been providing one-off gifts for over 60 years!

From a totally ‘useless’ but amazing Dinosaur Tooth, 99 million years old and costing just $45


…to a set of 4 hard-to-find Champagne Flutes, hand-cut quality ‘crystal’ from around 1900, with a spare!

Fruit Lithograph Prints 1851

8 for $280!

These life-size depictions of fruit are botanical illustrations from a 1851 American publication. They are Lithographs – etched onto stone as a method of printing – and hand-coloured to accurately depict the apple and pear varieties. They are all a little browned & faded, and their gilt frames are overpainted in white – but they certainly have a terrific impact!
And the price…. irresistible!

Gift Vouchers

If you know your Gift Recipient likes our stock, but are unsure of what to choose…. let them choose.
We offer Gift Vouchers in $100 and $200 amounts.

Simply use the button below to purchase at any time. We will then email you the voucher for you to pass on or print.
Custom amounts are also possible, email us for details.

FRESH to STOCK items

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December 1st Fresh Stock

With Christmas fast approaching we have some great gift ideas for everyone.

Moorabool has been selling Antiques as Christmas Gifts for over 60 years…

Antiquities FRESH to stock today.

Looking for something ‘Unique’? We can provide that!

Antiques and fossils make great gift for the person who has everything. Today’s Fresh Stock has a terrific range to consider. All the ancient pieces & fossils come with a Certificate of Authenticity & Description explaining what they are.

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Asian Special – Fine Japanese Antiques

This stunning cabinet is known as a Shodana, and is seen here being used as intended – it’s a ‘curio cabinet’, to store your precious objects in.
What makes this example so interesting is the architectural element – the central portion contains two three-shelf corner partitions, the lower one having four sliding screen doors – miniature versions of the Japanese house doors – and the entire segment hinges outward, to leave the interior space clear. Above is another larger shelf section with four similar sliding doors. The open fretwork on these is amazing for its fineness and accuracy, true miniatures of the full-sized house doors in Meiji Japan. Add to that the rich wood inlay, and this is a truely spectacular piece of Japanese Meiji period craftsmanship.

Suzuribako writing box

A fine quality Japanese piece fresh to stock is this Japanese Suzuribako writing box. The lid has an intricate panel of quail and a maize plant, modelled in high relief with various woods and bone, the rest of the box adorned with an intricately carved cell pattern, the interior lined in jet black lacquer with gilt foliage to the inside of lid, fitted with a full set of writing instruments, including silver butterfly Suiteki inset within a silver dish, a carved slate ink-stone with gilt rim, two brushes, a bodkin with lacquer sheath & a matching steel blade with inscribed maker’s inscription, and two gilt-decorated ink blocks.  

Meiji period, 

Circa 1870 

23.5cm x 20.5cm, 6cm high
blade 6.5cm, in sheaf 19cm

An Inro Treasure

This is an ‘Inro’, a small box with cord to carry at your waist. Standing just 8cm tall, it was intended to contain ‘medicine’, via a series of segments that seal tightly together, a small usable compartment in the base of each.

Japanese Shibayama Inro
Japanese Shibayama Inro
Japanese Shibayama Inro
Japanese Shibayama Inro

The quality of this piece speaks for itself, with a very finely detailed continuous scene – probably from a popular play – depicting two gracious ladies seeing off a bare-foot bald-headed Samurai, clutching his sword. They were enjoying a quiet picnic in the woods a moment ago, as can be seen by the red rug with picnic box, wine bottle and cup….. and the intruder on the other side, a wizen old Samurai warrior with his sword, is receiving a good telling-off by the startled ladies. No doubt it’s illustrating something form a popular play of the period – if anyone knows, please send us a message!

Shibayama | Shokasai marks

There is a signature to the base of the lowest segment, which is interesting as it bears to parts; first, an inlaid mother-of-pearl plaque with ‘芝山’ , and second, three characters in gold lacquer “松花齋”. These signatures reveal the origins of this piece; the lacquer case and landscape is by Shokasai, a well known & respected Edo lacquer artist, while the fine inlaid figures is by the fabled Shibayama artists, made as a joint effort & hence signed by both.

Japanese Shibayama Inro
Japanese Inro, signature of Shokasai in gold to the left, for the lacquer; Shibayama on the inlaid plaque for the inlay work.

Shibayama: this Japanese family workshop of artisans was founded by Shabayama Dosho, also known as Senzo. He was a farmer from Shibayama who became a famous artist in the 18th century after moving to Edo to practice his trade. He had many descendents, such as his grandson & successor, Shibayama Naoyuki, who continued the workshop’s tradition for fine inlaid work into the 19th century. Records are not distinct when it comes to the later Edo period Shibayama artists, as they all used the simple signature “‘芝山” , for ‘Shibayama’.


ref. Bonhams NY 19 Sept. 2008, lot 5036 for a comparable example.

Japanese Woodblock Prints

Japanese artists began to print in the 17th century, and technological advances meant that by the 18th century they were able to produce large & colourful images. For the multi-coloured images, a different wood block was carved for each, and carefully lined up consecutively to create the multi-colours image.
They were initially commissions by the wealthy Edo period patrons to illustrate calendars, which they gave as New Year presents. Subjects were often beautiful courtesans, actors, or illustrations of popular opera scenes. Scenic splendour and historical events followed. They were hugely popular in Japan, and specialty shops existed just to sell ‘the latest’ from the famous artists. Collectors would be inclined to ’collect the series’ by a particular artist, storing them away in specialty wooden boxes. In many ways, it was just like the present day Comic Book scene!
The simple lines, and the bright separate zones of flat colour were the result of the techniques used. They were very important factors in the development of Western Art, once collectors discovered them in the later 19th century. In fact, it’s well documented that the great ’fathers of Modern Art’ such as Gauguin and Van Gogh both collected and were inspired by Japanese Woodblocks, as they set about their quest for a break with the traditions of Western Art.

We have a selection of these vivid prints for sale, some shown below with more to come shortly.

This Satsuma vase was no doubt directly inspired by a woodblock print of the time.
Vase: Kyoto Satsuma, featuring rare ’Gosu Blue’ enamel, circa 1880


Satsuma is a favorite Japanese decorative item, and is distinct & unique

The Allure of Japan

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A Chinese Musical Ensemble

Chinese Qing Dynasty Musical Instruments Painting

A remarkable folio of 200 year-old Chinese paintings recently came to Moorabool. They are large-scale examples of the ‘China Trade’ paintings, usually seen on a smaller scale on ‘Pith-paper’. These are on a thicker paper, using Mulberry bark as the basis, hence known as ‘Mulberry Paper’.
They were popular with the European traders who came to Canton to buy Tea, Silk, Porcelain, and exotic Eastern produce. Rare early examples can be the mid-18th century, but they became very popular by around 1800 as trade flourished.
Their subject matter reflects this intention as a ‘souvenir album’ – the distant ancestors of the postcard folio of the modern tourist.

‘The Story of Tea’, small folio, ex-Moorabool Antiques

One theme was ‘The Story of Tea’, showing the process it went through from the bush to the tea chest- appropriate considering the intended customer, visiting European merchants. Another rarer series follows the manufacture of Porcelain.

By far the most popular subjects were the everyday people that visitors would have seen on the streets – the umbrella mender, the fish sellers, the hat maker. Crime & punishment folios featured many macabre details not suitable for children… Others have children playing with toys, the dress of the wealthy & court, and the bright & lively processions for various holidays and celebrations.

Camellia Sensis, tea plant, Chinese Export pith painting
Camellia Sensis, tea plant, Chinese Export pith painting, Moorabool Antiques

A third group served as a ‘Visual Encyclopaedia’ – with subjects such as flower specimens, birds & fish specimens, ship types, and even ’Antiques’. This album we are showing here belongs to this group, a Musical Instrument ‘visual guide’.

Occasionally there are small-scale pith paintings of Chinese musicians playing the various instruments –
but it seems these depictions of instruments on this album are quite rare.
No comparable example could be found.

Chinese Pith Painting - Musical Procession
Chinese Pith Painting – a Musical Procession, c. 1830-50 Moorabool Antiques

They represent a large number of Chinese musical instruments, as were used in the early 19th century when they were painted. As a folio, they were a document of the types of Chinese traditional instruments, which brings to mind it’s purpose: to the Westerners who were often the clients for the China-Trade paintings, they were curios; to the Chinese, they would be a fine reference folio for the musically minded – a tutor to a prince, perhaps?

Chinese Qing Dynasty Musical Instruments Painting
Ready to play….. a finely detailed Chinese Qing Dynasty Musical Instrument Painting depicting a ‘Qin’ harp, circa 1800- 1830

A total of 20 instruments are depicted, some single, several double, and two triple.

These works are for sale individually, or talk to us if you are interested in the complete group, or part thereof. Individual prices – $750 each, all 11 total price $7,000

Other Chinese Paintings

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Asian Special – Chinese Ceramics

Welcome to our 2022 Special Gallery of Fresh Chinese items.

We’ve always stocked a good selection of Chinese items, and at present, we have a large number of items to share.

Of particular note below are the Ming Dynasty blue & white pieces. Part of a collection we are selling, the highlight is perhaps the Jiajing period dish, 500 years old and complete with a mark. This 4-character mark misses the important part – the name of the Emperor during the period it was made – but is also found on a very similar example in the British Museum. They have linked it to an example that has the complete mark, revealing it to be made in the time of Emperor Jiajing, who reigned 1522-66.

We have some quality Chinese Hardwood furniture to offer. A pair of cabinets make excellent display cases for any collector of Asian Antiques, and are available as a single or the pair. The long low table has handy compartments beneath, and is an excellent shallow size for small spaces, such as a hallway.

Below are some lovely examples of the Tang & Ming dynasty pottery models. These items were buried as offerings, to ensure the deceased had a life of luxury in the afterlife. They are accurate models of everyday items, and allow us to vividly imagine everyday life in their time: in this respect, they indeed meet their purpose by bringing the past to life!

Monotone Chinese ceramics are beautiful in their simplicity, relying on the colour and form rather than decoration.

Blue and White porcelains have been the most popular Chinese Ceramics in Europe since the Ming Dynasty, and the same aesthetic is still popular today. The following examples are all Ming, dating from 500-

Vast amounts of Chinese Porcelain was made purely as Export Wares in China, with England, Europe, and America as the main destination. The shapes reflect this, as they are usually European rather than traditional Chinese.

Chinese Art

Works on paper – or ‘pith’, the thinly-shaved core of a fast-growing tropical plant – are beautiful, rare survivors. The larger pieces are on linen, and were intended as ‘scrolls’, to be brought out and displayed when needed. The large example with the multi-figures is a family tree, an ‘Ancestor Scroll’ set in the interior of their house.

More Chinese Items

Looking for more Chinese Art & Antiques? We have a large number of quality Chinese pieces entering stock – see them all together in this gallery.

More being catalogued to add, drop back for more!

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Fresh Stock

Royal Worcester by Stinton & Baldwyn

Royal Worcester

Fresh to stock are two pieces of Royal Worcester, beautifully hand-painted, one by James Stinton with pheasants, the other with doves & a cottage by Charles Baldwyn.

James Stinton - Vase dated 1904
James Stinton – Vase dated 1904

James Stinton was son of well known Worcester artist John, and his brother John junior, all of who painted birds. James came to work at the Royal Worcester factory when Grainger Worcester was taken over in 1902, making this a very early example of his work at Royal Worcester.
James also painted watercolours of this same subject. These ‘studies’ were probably a side-line for him, but would have also been a great way to keep his skills sharp.

Royal Worcester by Stinton & Baldwyn
Royal Worcester by Stinton & Baldwyn

The large Charles Baldwyn vase is an unusual example. It dates to 1903 – the last year he worked at the factory, before leaving to become a watercolour artist. He had spent his time at Worcester, and made a name for himself painting birds: as an avid bird watcher, he was able to turn this hobby into an art with great success. A search for his Worcester painting will reveal a large number of ‘flights of swans’ – his most popular design – and the occasional own or blue bird. Our example is doves, and while there are a few of these, their background is most unusual – a classic English Country Cottage. It’s a rare, large example of this talented artist, one of the last he would have done before leaving the Royal Worcester works.

Georgian & Victorian Glass in today’s Stock Release

Fresh – Georgian Glass, Majolica, and more….

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Fresh Stock – Dutch Delft, Pocketknives, great Variety!

An interesting selection of items, just freshly released.
With Christmas coming up fast, there’s a lot of items that would make great small presents – check out the ‘Under $100‘ and ‘Under $50‘ galleries.

Dutch Delft tiles in Manganese

We’re used to Dutch Delft in the blue & white, but the mineral manganese was also used to produce these interesting variations to the usual ‘Delft’. The Biblical examples are scarce, and these are fine examples – note the ‘Moses in the Bullrushes’ scene complete with a Sphinx in the background!

Pen Knives & Pocket knives

Once essential items for anyone who wrote, a pen-knife was a small sharp blade that allowed you to trim a quill to write with. The rarities in this collection are the ‘mini’ examples- perfectly usable , but in miniature and designed to hang from the fob chain of a gent’s pocketwatch.
The ‘fancy’ examples with silver blades are in fact for use with foods – ie. cutting soft fruits, where steel would both be damaged by the acids of the fruit, and cause discolouration to the fruit. Silver on the other hand didn’t have the same reaction, and they were a popular item in the Victorian era.
There’s also a rather lethal looking medical tool: a lancet, perhaps the most ancient and simple of all medical instruments: it has a super sharp double-sided blade with slender point, and was used to open a vein and allow all the badness to drain from the body… alongside the inevitable blood. Thankfully, a practice long since abandoned thanks to modern medicine! This is a German example in Tortoiseshell, marked ‘THAMM’ for a Berlin maker of surgical instruments.

Local Interest:

For all of those who are local, here’s a selection of interesting Artworks & Artifacts of local interest – all from Geelong, the Bellarine, and nearby country areas.

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Fresh Stock – Artworks, Georgian Furniture, Silver, Glass & more!

Our latest Fresh Stock on includes a terrific variety of fine items – including some Sterling Silver rarities, usable Whiskey & Wine glasses, and a scattering of jewellery.

Lots more in the pipeline, as October draws to a close it will soon be November – and that’s almost Christmas! We will have a sensational selection of Christmas Present ideas for all of those who like to plan ahead.


Best wishes from Paul & Glenys Rosenberg & all at Moorabool

Original Artworks

Portrait Miniatures

We have a fine collection of Portrait Miniatures to offer over the next few weeks. From several collections, including John Rosenberg’s own personal pieces, we will be putting them into their own gallery – see them all here >>

Rare Dutch Silver from the Napoleonic Period

French Occupation Dutch Napoleonic Silver
“French Occupation” Dutch Napoleonic Period Silver:
A – Empire shape teapot
B – Helmet-form jug

These two pieces of Napoleonic-era Silver have an interesting tale to tell.
The hallmarks show that the teapot is French, and the jug is Dutch. Not illustrated is a matching tea canister, also Dutch. This canister has an engraved dedication – a wedding gift in the early 19th century. It was retained by the family, and opens up an interesting story: the family name was well represented in records available online, and at this period was involved with the famous Dutch East Indies company (VOC). This enterprise, controlling trade from the far East to Europe, created huge fortunes for those involved, and this was most certainly the case with this family; Meissen porcelain, and quantities of early Chinese porcelain, some dating to the VOC’s heyday in the Kanxi period, 1644-1722. (These will be the subject of another release & blog in the near future, stay tuned for more!).

French Occupation Dutch Napoleonic Silver Hallmarks
French Occupation Dutch Napoleonic Silver Hallmarks
A – Helmet-form jug mark, 1809
B – Empire shape teapot mark, introduced 1809

A- the hallmarks of the jug are Dutch, with the Crown being used for a short period, 1807-10, for large articles of .934 grade silver. The stork with eel in beak beneath it is the City Guild mark for The Hague, and the ‘M’ indicates a maker, while ‘g’ is for the year 1809.

B- the hallmarks for the teapot indicate a French origin – the helmeted head is the mark used for certified Silver items, of ’provincial’ origin (Paris makers used the head of Athena). The Rooster mark is the fineness indicator for France, introduced in an oval such as this to indicate ’Provincial’, .950 grade silver, in 1809. However, thanks to Napoleon, the French Kingdom spread far across Europe – and their particular assay system for precious metals was used in multiple places. Also widely used was the diamond-shaped stamp containing the maker’s mark, although a single letter – ‘S’- is not common, with the majority of makers having two.
Dutch silversmiths had used the marks seen in ’A’, the helmet-shaped jug, but were forced to disband their guilds and conform to the French marking system. A search for the ’S’ maker has so far been unfruitful, in both Dutch & French makers.

The jug & teapot tell an interesting story, of the time when France held sway over even the silversmiths of Holland. Napoleon’s vision of Empire brought with it the elegant simplicity of these ‘Empire Style’ pieces, and they show the harmonious situation in Europe for the few brief years of the Kingdom of Holland.
The jug, reading the date letter, was made in 1809; the teapot was made to the same pattern, with it’s hallmark type being first introduced in 1809, whether in either France or Holland, and it was then combined as a tea service.

Napoleonic French Silver Lion 1809
The finial is this ‘worried’ Napoleonic solid Silver Lion, datable to 1809

Sterling Silver Surprises

We have a quantity of English Sterling Silver to offer, from local estates – including some collector’s rarities, and some very usable pieces.

Sterling silver spoons

These ordinary looking Georgian Sterling teaspoons are nothing remarkable from the front – but turn them over, and instead of the normal stub at the junction of handle & bowl, they have fancy moulding – these are ’Picture back’ spoons. For a while during the later 18th century, there were a number of spoon makers who decorated their spoon backs in this manner, but numbers were always less than ’normal’ production and they’re the rarities of today’s Sterling Collecting field. We have several ’scroll backs’, a ’single rose back’ and another that doesn’t seem to have a name – a simple scroll moulded to the back.
All came from a local family via a family inheritance from the UK.

English Pictureback Silver
Georgian ’picture back’ Sterling Silver spoons, 1760’s-70’s

Pair of Sugar Castors

These interesting sugar-castors were used by the Georgian diner to spread sugar on desserts. While the shape is something from the earlier 18th century, these are hallmarked for 1775 & 1777 – the last years such pieces were used. They were being replaced by new sugar-spreading techniques – sugar bowls and baskets with sifter-spoons.

Georgian Sterling SIlver sugar castors, Thomas Daniell
Pair of Georgian Sterling SIlver sugar castors, Thomas Daniell

They are marked for a second-generation London silversmith, Thomas Daniell (also spelt with one ‘l’). His father,

A lovely large ‘Stuffing Spoon’, dated 1807.
This was literally to help with the ‘stuffing’ of poultry – and would have had to be large for a Turkey, Goose, Swan or Peacock!
It would have been very handy on the table – and why not again, it serves a decent spoonful…

Sterling Silver at Moorabool Antiques, Geelong
Some Fresh Sterling Silver at Moorabool Antiques, Geelong
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October 7th – Fresh Stock, some fine quality.

Moorabool Antiques, October 2022

We’ve had some changes in our shop layout in Geelong, to accommodate some superb ‘Fresh Furniture’. As there are a number of Dining type pieces of furniture, we now have a room setting from an elegant ‘English Country House’ – the perfect setting to showcase a good portion of our stock!

The Regency mahogany table is superb quality, with a cavity inside containing extra leaves – one complete and two half-leaves. It can comfortably seat 10 when fully extended, and yet compacts to a 6-seater of manageable size very simply.
The Hepplewhite sideboard is elegant, and provides some excellent storage including a deep ’cellerette’ drawer made to hold wine bottles.

Georgian Watercolours, circa 1820
Georgian Watercolours, circa 1820

We now have a wall to showcase some art. These interesting landscapes are Georgian, and show four views of the same Georgian house, by a ‘talented amateur’ who hasn’t signed or dated.
First instinct was ‘Could this be Tasmanian !?’, but closer examination of details show typical English countryside features such as deer and : it’s therefore an interesting Palladian-style English Country House of the early 19th century – we’d love to know if anyone recognizes it.

Each of the four views show different facades of the house, and the surrounding countryside: it is therefore possible to produce both a complete diagram of the house layout, and also the topography surrounding it!


Salt Glaze English Pottery
‘Salt Glaze’ English Pottery
English Saltglaze c.1765
English Saltglaze c.1765

We have a stunning piece of ’Saltglaze’ fresh to stock. Made in the Staffordshire potteries in the mid-18th century, ‘Saltglaze’ is so-named due to the nature of the glaze: salt was introduced into the hot kiln, and as the oxygen had been consumed by the kiln fire, the resulting chemical reaction with the clay surface produced a thin, waterproof surface. As there is no added layer of glaze, the original moulding of the product shows to the finest detail, and the potters used the technique to showcase their finely detailed designs. The dish we have is ’best in class’ – crisply moulded and in terrific original condition.

Charles Meigh Victorian Gothic York Minster
Close-up detail of the Charles Meigh Victorian Gothic ‘York Minster’ Bowl 1846

It was a popular technique with the Victorians also, and the bowl shown above is a finely detailed piece designed & produced in 1846 by Charles Meigh, decorated with eight figures of saints in arches, inspired by the Gothic wonders of York Minister.

Children’s Plates

CHildren's plates, 1830-50
Fresh to stock – Children’s plates, 1830-50

These were intended to ‘Educate’ the children – but many were perhaps more likely to amuse the adults!
Take this one for example:

BEAUTY OF NATURE satirical print

The ‘fishing’ isn’t really the subject, as the man hasn’t even cast his line: he’s gazing at the ‘beauty’ doing the fishing instead!
There’s a certain mocking undertone that would be very politically incorrect today!

OUR EARLY DAYS child's plate - Scott Pottery?
OUR EARLY DAYS child’s plate – Scott Pottery?
OUR EARLY DAYS child's plate - Anchor & LONDON mark - Scott Pottery?
OUR EARLY DAYS child’s plate – Anchor & LONDON mark – Scott Pottery?

A particularly interesting example is the girl nursing a cat, dressed up as a baby. This example is marked, with an anchor & LONDON. As this exact mark appears on wares of multiple known makers, it is thought to indicate they were made by potters for a retailer in London. The slightly different moulded daisyheads on this example are the clue we need to follow to shed more light on where it was made – and a comparable moulding & clay is found at the Scott pottery, Sunderland. They also printed versions of ‘OUR EARLY DAYS’ series, and coloured them in a similar way. However, the impressed LONDON & anchor doesn’t appear to be recorded as a ‘Scott’ mark, making this plate a probable documentary example.

Finally, there’s a fresh selection of English & Dutch Delft pottery.

Delft Pottery

We’re making space,
with many terrific bargains here >>