Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Copley Fielding’s ‘View of Delphi’ at Moorabool Antiques, Australia
Today it’s a varied group – from small jewellery pieces to a pair of large Cantonese vases, alongside a Mason’s Ironstone large & bizarre ‘Chinese’ vase & cover. You’ll also find a little gem of a water colour by the highly respected Anthony Vandyke Copley Fielding, a rare subject matter with a blog post to elaborate on it here >>
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s a fantastic group of Old Sheffield Plate, more Ancient objects, some Chinese pieces, and other ‘curios’. You’ll find some terrific inexpensive Christmas Gift ideas.
In other news… tomorrow’s the ‘Black Friday’ tradition, and we have a surprise for you…. this weekend only, check your email tomorrow!
Bendigo Talk
‘Go Figure!’
We’re heading off to Bendigo this Saturday, for an interesting event – Paul is giving a talk as part of Valentine Antique’s ‘Lecture Series’, in the beautiful gallery complex just down from the Bendigo Art Gallery.
There are still tickets available if you’re able to make it, a small fee which includes refreshments and an hour looking at figures with Paul Rosenberg.
Date: 27th November Time: 11am Place: 16-22 View Street, Bendigo (just down from the Art Gallery) Price: $20 per person Bookings are essential, contact Valentines, Bendigo, on 5443 7279 to secure your place.
Please note: our Geelong premises is closed this Saturday, 27th November.
Remember, we post world-wide at the most reasonable rates – ask for a quote.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s a selection of Antiquities, mostly from a fascinating collection recently acquired in Melbourne, Australia. Most had old auction numbers & labels, suggesting it was put together last century, judging by the deterioration of the stickers and the typewritten labels. The last owner had the revered name ‘Rothschild’ – but it’s not that Rothschild Collection!
The figure of ‘Astarte’ is particularly interesting, with a provenance of the great ancient city of Tyre. The other pots shown above include Canannite pieces 3,500 years old, and an amazing early Israelite piece from the 9th century BC.
There’s also a selection of tiny little Ancient Egyptian amulets, mounted to make them display nicely.
Enjoy!
Remember, we post world-wide at the most reasonable rates – ask for a quote.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s some early Japanese Imari porcelain, a very usable pair of silver plate candlesticks, and a giant Murano glass ‘Lily’ bowl. Talk about variety!
Remember, we post world-wide at the most reasonable rates.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s a great selection of Rosewood items from the 19th century – featured in their own blog page here>> – plus some other interesting pieces including a variety of pottery & porcelain, from ancient times to more recent – and all very tempting price-wise for Christmas…. just a few weeks away!
Remember, we post world-wide at the most reasonable rates.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s a great selection of Boxes, and some lovely ceramics with flower decoration…… perfect for Christmas Presents!
Note: our website is about to be completely refreshed, but is working as usual for the meantime.
Remember, we post world-wide at the most reasonable rates.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Welcome to our ‘Fresh Stock’ update – these items are fresh to our stock , and fresh to this website.
Today it’s a scattering of interesting Asian items, some smart cups & saucers, and a selection of Ancient Artifacts. All perfect Christmas Presents!
Remember, we post world-wide at the most reasonable rates.
LAST POSTAGE FOR CHRISTMAS DELIVERY: Victoria – 10th December NSW / QLD / SA – 3rd December International – ASAP – overseas postage at normal rates is particularly unpredictable at the moment. We can use a superior service, such as UPS, which can have a UK/US shipment delivered within a few days – but the cost is considerably more, please ask for a quote if interested. Australian deliveries can also be sent express, for slightly more, please ask.
Within this embossed velvet box lies a supreme quality desk-set.
Engraved & Gilt Desk Set, attributed to Mosley, London, c.1860
Of superior quality, this set is made to impress. From the shape of the letter-opener and the detail of the engraving, it was ‘exotic’, reflecting the riches of the Eastern cultures – it would not have been out of place in the courts of Suleiman the Magnificent, ruler of the Ottoman Empire in the 16th century. But clearly, this example was made in the second half of the 19th century.
Engraved & Gilt Desk Set, Mosley London c.1860
The clue to who, when & where is found on the nib of the pen. The inscription there reads ‘RICHARD MOSLEY & Co. / LONDON’ . The nib was English made – and the style of the piece, while possibly attributable to a French workshop, could also be English. A little more research reveals a fascinating story that supports this attribution.
Richard Mosley & Co.
RICHARD MOSLEY & Co, LONDON steel pen nib
Richard Mosley was the son of Richard Mosley, silversmith in London, and became a supplier of superior writing implements by the mid-19th century. In his 1852 London Directory advert he states he supplies superior steel nibs that do not wear, as seen on the pen in this set. He also states he stocks a “A LARGE STOCK ON HAND OF EVERY DESCRIPTION OF INK STANDS, CUTLERY, LEATHER GOODS, IVORY AND PEARL GOODS, AND VARIOUS OTHER ARTICLES SUITABLE FOR STATIONER & JEWELLERS”. Clearly, these were not all manufactured by him, but sourced from various workshops and retailed by him – once he had included one of his superior non-wearing nibs.
Richard Mosley advert 1852
His secret to a superior product was to embrace the latest technology: stainless steel. This was the ‘holy grail’ of industry in the 19th century, to have a durable steel product that would resist rust. By embracing a new technology, he was able to produce a novelty ‘tech gadget’ of his time.
Etched steel paperknife, perhaps Sheffield, c. 1860
Detail of the steel paperknife, clearly showing the acid etched technique patented by Skinner in 1851.
The method of decoration is acid-etching steel. This technique was exhibited at the 1851 Great Exhibition by Thomas Skinner of Sheffield. He had obtained a patent the same year for an efficient way of producing complex etched designs on steel, which could then be enhanced with gilt, as seen on our desk set.
The technique used was simple and efficient for such complex designs, previously only possible at the hand of a master-engraver. Basically, a copper plate engraving of the required design was printed onto tissue paper (such as potters use for transfer printing) – in ink & linseed oil, which could then be pressed onto the steel surface; once this had hardened, water applied to the paper allowed it to be peeled off. A powdered ‘resin’ was then dusted over, binding with the sticky linseed oil/ink. Applying hot water solidified the design in the same places into a hard crust, resistant to acid. This was then ‘bitten’ – the very descriptive term used by engravers for the action of acid onto metal! Once cleaned off, the acid etched depressions could be gilded, and a low temperature firing in a kiln ensured a strong bond for the gold.
The Mosley firm exhibited pens in the 1851 Great Exhibition, but did not win a medal. Curiously, they did not enter their pens into the ‘Iron & General Implements / writing implements’ category (Class 22), but rather in the ‘precious metals’ category (Class 23, exhibitor 107) – such was their regard for the quality of their products. This set is certainly ‘exhibition-worthy’, but the question of wether it was a Mosley product or if he just added one of his tips to a fine quality Sheffield product made using Skinner’s patent remains debatable.
Wine has always been a part of an English gentleman’s meal. In the past it was considered safer to drink than the water…. and to do so with style was important. Glasses were once pretty basic, but as the Georgian period continued, they became works of art. So too did the presentation of the beverages; wine accessories such as decanters, silver plaques with the names of the drinks, and coasters became a necessity at any refined table.
The ultimate recently ‘rolled’ through our door; a wheeled cart to transport two full decanters down the table with ease!
Old Sheffield Plate Wine Wagon (with later decanters) c.1820
This piece is constructed from a copper/silver body known as ‘Old Sheffield Plate’. Old Sheffield Plate is a fascinating collecting field, and the go-to book is the 1912 ‘Old Sheffield Plate by Frederick Bradbury. He was active in the late 19th century, and published his lavish book full of hundreds of photographic illustrations and records of the manufacturers and their products. The information he records is important as it was compiled just a generation or two from the time the Plate was last in production, and many of his sources were the workmen trained in the production of the type, 50 years later. He also had a personal connection, with an ancestor being one of the manufacturers he was writing about.
Old Sheffield Plate with characteristic ;blush; of copper showing through the silver covering.
Old Sheffield Plate is an important step in the evolution of silverwares, and should not be confused with silver plating, or electroplate. This modern method, invented in 1840 by Elkington, meant that any base-metal item could be moulded and then dipped into the plating solution, coming out covered in silver. Quick, easy & very cheap. Old Sheffield Plate is the opposite. The basic material was laboriously made by hand. Basically, a slab of Sterling grade silver and another of copper were heated, then rolled together through a press to form a sheet. These flat sheets could then be formed into the desired shapes, ie. teapots, trays, or wine coasters. There is a seam on anything that required a vertical wall, and this was silver-soldered. A breath on a suspected seam results in a clear indication of a seam, and is a collector’s favourite method of identifying Sheffield Plate. Another feature is the rims of a vessel; if left exposed, the layered nature of the body is obvious, and so the intricately stamped-out silver borders, often Rococo scrollwork, was laboriously silver-soldered along the rims.
Old Sheffield Plate Wine Waggon, by Battie, Howard & Hawksworth, c.1820
Bradbury illustrates the exact same ‘Wine Wagon’ we have, and identifies the maker as Battie, Howard & Hawksworth, dating it to 1820.
WineWagon by Battie, Howard & Hawksworth illustrated in Bradbury, 1912
He has a tale on the subject, and saw in interesting enough to include in his book:
The origin of the ” wine wagon ” we must attribute to the inventive genius of Sir E. Thomason, of Birmingham, and in this connection the following extracts from his memoirs will be read with interest :
” Many years since, Lord Rolle called upon me at my establishment, and said that he had dined with His Majesty George IV. the day before, and that His Majesty was pleased to remark that he regretted that his noble guests who sat on either side of him were constrained to rise from their seats to pas the wine, and observed to him (Lord Rolle), ‘as you have said that you are going to Birmingham to-morrow, you had better call upon Thomason who may invent some plan to obviate this inconvenience.’
I suggested to Lord Rolle that decanter stands upon wheels was, in my opinion, the only method to be adopted ; and as I held the beautiful dies containing the victories of the late war, forty in number, viz., from the landing in Portugal to the capture of Paris, and the settling of Napoleon at St. Helena, I recommended to place these medals around the flat perpendicular edges of the bottle stands, which would fill up four, thereby adapting them to two waggons, the whole made of silver and richly gilt, and each waggon to have beautifully ornamented wheels.*His lordship approved of my suggestions, and requested that no time should be lost in executing them, and when done to forward them to the Marquis of Conyngham. On their arrival, His Majesty expressed his entire approbation of the thought. Some time afterwards the King presented them to the Duke of Wellington.”
Frederick Bradbury, 1912
One of Wellington’s Wine Waggon, as described by Thomason via Bradbury. The medallions are by James Mudie, and commemorate the British Victories in the Napoleonic Wars.
This is the story related by Bradbury, via the memoirs of Thomason, one of the major manufacturers of Old Sheffield Plate luxury items in Sheffield in the early 19th century. The items he is describing are these remarkable constructions, created for George IV who then presented it to the Duke of Wellington in 1826. The pair can still be seen in his preserved residence at Aspley House, on the corner of Hyde Park, London – considered the only preserved example of an English aristocratic townhouse from its period.
However, Bradbury was not convinced in this being the actual origin of the type, stating in a footnote:
Notwithstanding what is here recorded, wine waggons not very dissimilar to those illustrated are to be met with in both silver and Old Sheffield Plate apparently made late in the 18th century. Whether, however, such have been put together at a more recent date in the form of wine waggons from pairs of coasters, cannot be said with certainty.
We are pleased that our example of a ‘Wine Wagon’ is absolutely original, being a documented product of Battie, Howard & Hawksworth of Sheffield. It is in splendid condition, despite being completely ‘black’ when it came in. Many hours of patient cleaning later, the original silver was found to be in excellent, unworn condition – a rarity with Old Sheffield, which is well known for its tendency to ‘blush’ as the copper starts to show through the silver. It is now ready to grace the table of some fresh Stylish Imbiber….
We often underestimate our distant ancestors, but some of the pots in today’s fresh stock release show clearly an ingenuity familiar with our own 5,000 years later.
The pieces are from the Neolithic period in China, the time when foraging for survival was replaced by a more sophisticated & settled life. At this time, on the fertile plains of the Yellow River in modern-day China, settlements have become permanent, crops are being propagated, and while metal working is not yet evident, pottery is being made – although the wheel has not yet been invented. The pottery is therefore made using a coil technique, literally rolling a long ‘snake’ of clay which is then coiled up on itself to build up the wall of the vessel.
A Neolithic lug
While processing this group of Neolithic pots, and being short on space, I instinctively placed one onto another in a stack. Normally, this would result in a precarious pile susceptible to slipping; however, this stack was quite stable.
The reason for this stability is the odd lugs you see protruding on these vessels at times; they are not decoration, but essential stabilisers for stacking pots!
Being able to stack saves on space, but could also allow a processing of food in layers, for example over a heat source. It brought to mind the Chinese dumpling pots we still use today.
Neolithic Chinese Stacking Pots
The only difference between ‘us’ in the present and our distant ancestors is our access to the accumulation of knowledge through our history, such as metalworking and engineering techniques. The ingenuity of us Humans is still the same creative force.
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