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Fresh Stock – Fine Chinese, Shipwreck Ceramics, Pottery Rarities

Fresh Stock -Majolica Figures

Welcome to the latest Fresh Stock release on Moorabool.com.
This week you will find a good selection of collector’s Pottery, including the rare ‘Pope & Devil’ stirrup cup seen here. This is a drinking vessel, used while on horseback to have a drop of something before going on the hunt – you had to swig the whole thing as the cup cannot be put down until empty. When full, the face seen is the ‘Devil’ – when empty, the ‘Pope’ in his crown! It’s an early 19th century Pratt-type pottery example, and in superb condition.

The characters seen at the start of this page are interesting French pottery, which we have attributed to the Choisy-le-Roi factory, 1870’s. The boy is something we have never seen before – designed to go in the upper corner of a room, it has mounting points to hang it off the ceiling – serving no purpose other than decoration.

There’s also some rather special Chinese pieces to be seen from several local collections.

Enjoy!

Fresh Pottery

Clarice Cliff marks 1931
Clarice Cliff multi-marks, inc. 1931

Some particularly interesting items are released in our pottery today. The ‘Clarice Cliff’ cup & saucer is an iconic example of Art Deco, from the very first years of this ‘Bizarre’ line of products, and has a fascinating ‘adapted’ mark, meant for 2 other patterns, but partly cut off before being applied. The saucer was also previously a plain ‘Honeyglaze’ piece, according to the mark still visible beneath- repurposed by Clarice & her band of merry painters for the mad-modern Art Deco designs they became fabled for.

The Pratt printed bottle (the later ‘Pratt’, not to be confused with the earlier Pratt ‘Pope & Devil’ above) is a rarity, as it retains the original metal stopper – advertising it’s contents, which we otherwise have to guess at. This bottle was used by Blanchflower & Co of Greater Yarmouth to hold their ‘bloater fish paste’…. made from salted, smoked herrings called “bloaters”, which are smoked whole with the insides still in them. The result is a more ‘gamey’ flavour than cleaned herrings! Fortunately used up long ago, the tin lid & cork are rare survivors, and illustrate the exact contents of these interesting early examples of recyclable packaging from the Victorian era.

Fresh to Stock

This remarkable solid-silver teaset is unsurprisingly Chinese. Each piece has a magnificent dragon embossed on it, with the long body wrapped all around until it almost catches its own tail…. It is the creation of Shanghai’s finest silversmith of the late Qing Dynasty, Tuck Chang. His pieces – or more precisely, the products of his busy workshop, were sold in colonial Shanghai, but also exported and in the best department stores in New York, London – and Melbourne.

Tuck-Chang-Silver-Teaset

Fresh Chinese

Curated Collection: Shipwreck Ceramics

Geldermalsen - Nankin Cargo - Shipwreck Ceramics, c.1750
Geldermalsen – ‘Nankin Cargo’ – Shipwreck Ceramics, Chinese c.1750
Shipwreck Ceramics - the Nankin Cargo c.1750
Qinglong porcelain c.1750 – Guaranteed!

These Chinese porcelain items were recovered from a shipwreck in the South China Sea in the 1980’s.
Shipwrecks are always important in the ceramics world, as they act as time capsules material culture for the date the ship sank. While metal and wood will perish with time, ceramics are extremely durable. These pieces are sometimes in exceptional condition despite being under the sea for over 200 years.
What makes these Chinese Porcelain pieces particularly desirable is their context: the Dutch ship Geldermalsen sank in 1752, and the items were recovered by a professional team; therefore, in the present-day world of Chinese Ceramics, where the fakes have become harder to spot, they are corner-pieces in a collection, being absolutely Guaranteed Genuine.
Moorabool has a sample of these in their ceramics reference library to use for education and study: directly comparing a piece from a known wreck to a piece of uncertain provenance can be invaluable during our researching. They are essential for our dating of Chinese Ceramics, and while condition is usually important for a collector, the authenticity of these pieces and the way this can help verify other pieces is invaluable, far outweighing any condition concerns….

Coming soon…

Moorabool has a collection of quality 18th century British Porcelain – including Derby, Chelsea, Isleworth, and this selection of Beautiful Bow. Currently being catalogued, it will be out in the next few weeks as a special ‘Fresh Stock’.

Tres Français!

Saturday 28, Sunday 29 October 2023

Le Festival Français, Geelong 2023

We have a treat for our local customers: a weekend of French food & fun, hosted at Geelong’s beautiful National Trust property, ‘The Heights’. 
Moorabool is opening a genuine ‘Brocante’ – we have taken the charming Dovecote in the garden, and will have it stuffed full of interesting items to buy. 

As well, Paul Rosenberg will be giving a lecture, ‘Trés Français’, taking a small audience through the wonderful influence France has had on our culture. This takes place inside the house, spaces strictly limited, so head to lefestivalfrancais.com.au if you would like to come. 

Paul’s talk will be at 3pm on Saturday 28th October. Bookings essential!

Note: the funds from entry etc. go towards the actual property, a terrific fundraiser for this treasured local property.

THe Heights

The house will also be opening for guided tours throughout the weekend: we’re excited to be involved with this also, and Moorabool has been asked to ‘dress’ the rooms in a French theme. 

Vite! …and apologies to those who live too far away: we’ll post some photos ….. 

Read more & book tickets >>

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Fresh Stock – Cats, Indian toys, and a Scottish Dancing Sword!

Scottish Memorabilia - Badges & Medals

Welcome to the latest Fresh Stock release on Moorabool.com.
This week has seen a wide variety of quality pieces entering our stock – including a Scottish ‘Dancing Sword’, Indian bronze ‘toys’, and a Glaring of Cats!

Clowder of Antique Cats
….who killed bunny?!! mostly English Pottery cats, the red rabbit is Royal Doulton Flambe.

There’s some rather special pieces to be seen – be sure to check out the ‘Curated Collections’ through the links below.

Fresh to Stock

Scottish Collection

Ach Aye… we have a bonnie wee bit o’ Scottish paraphernalia today.

Scottish Cage Sword- Macmillan Clan
Scottish ‘Dancing Sword’ – Macmillan Clan
Won for ‘Shean Truis’ dance, South Morang, 29th Jan 1951.

Most of these items are from a local source – ‘Lady M. Macmillan’, who won the Australian Sterling Silver awards for her Highland Dancing in the 1950’s! The magnificent Scottish basket-hilted sword was her ‘Dancing Sword’, and bears her initials. The Scottish ‘sword dance’ required two of these, which were placed crossed at right angles, forming four quarters: it was the moving into & out of these quarters that made up this unique Scottish ‘Sword Dance’. She won these in various regional Victorian Highland Dancing events, and seems to have favoured the ‘Highland Fling’.

New! Curated Collection – ‘Scottish’

Curated Collections

We now have a Curated Collection for our Scottish pieces.
Check it out here>

Scottish collection
Visit the Scottish Collection

Curated Collection: Indian Antiques

Indian- Nepalese bronze Sukunda oil lamp
Indian- Nepalese bronze Sukunda oil lamp

We have some interesting additions to our Anglo-Indian ‘Curated Collection’ today, featuring a selection of bronze pieces.

This fascinating piece is almost Baroque in style. It is a ‘Sukunda‘ lamp, and has a seven-headed cobra on the handle enclosing the image of a diety.

Indian- Nepalese bronze Sukunda oil lamp

Sukunda lamps are indigenous to the Newar people of the Kathmandu Valley and play an important role in most rituals, including birth, marriage and death rituals.

The body of the vessel holds the oil; this is ladled out and placed into the rectangular dish at the front, which holds the wick of the lamp.

Indian Antiques Dhakra horse camel toys Group
Indian Bronze ‘toys’, although they probably also had a ritual significance. 19th century

Tres Français!

Saturday 28, Sunday 29 October 2023

Le Festival Français, Geelong 2023

We have a treat for our local customers: a weekend of French food & fun, hosted at Geelong’s beautiful National Trust property, ‘The Heights’. 
Moorabool is opening a genuine ‘Brocante’ – we have taken the charming Dovecote in the garden, and will have it stuffed full of interesting items to buy. 

As well, Paul Rosenberg will be giving a lecture, ‘Trés Français’, taking a small audience through the wonderful influence France has had on our culture. This takes place inside the house, spaces strictly limited, so head to lefestivalfrancais.com.au if you would like to come. 

Paul’s talk will be at 3pm on Saturday 28th October. Bookings essential!

Note: the funds from entry etc. go towards the actual property, a terrific fundraiser for this treasured local property.

THe Heights

The house will also be opening for guided tours throughout the weekend: we’re excited to be involved with this also, and Moorabool has been asked to ‘dress’ the rooms in a French theme. 

Vite! …and apologies to those who live too far away: we’ll post some photos ….. 

Read more & book tickets >>

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Curated Collection – Scottish

Scottish collection
Curated Collections

There’s a lot of Scotts in Australia…. and a lot of Scottish related items.

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Fresh Stock – Australiana including RAAF items, Usable glass, Staffordshire Pottery, -plus more!

Derby figure of Apollo, c. 1785

Welcome to the latest Fresh Stock release on Moorabool.com.
This week has seen a wide variety of quality pieces entering our stock lists, from stunning Chinese Silver to a election of usable Victorian glass.

There’s even some cheerful Staffordshire at very tempting prices!

Fresh to Stock

Fresh Staffordshire Figures

This superb quality 18th century figure is remarkable for its condition. Apollo stands, lyre in hand, laurel wreath on his head – and somehow, he has made it through 240 years with only a very slight chip up underneath the plinth.

Australiana

Curated Collections

Moorabool has a good selection of ‘Australiana’ to offer, fresh to the market in 2023. From fine art to furniture, there’s a ‘Curated Collection’ of quality pieces for you to browse.

An interesting group consists of a watercolour and two etchings, signed ‘G.Cope’. When we look up this name, there is an American artist of the right period – but why are they mainly Australian scenes with the occasional Egyptian and English scene mixed in?

Ernest E. Abbott (1888-1973) signed G Cope - Captain Cook's Cottage, Fitzroy Gardens, 1934-39
Ernest E. Abbott (1888-1973) signed G Cope – Captain Cook’s Cottage, Fitzroy Gardens, 1934-39

It turns out ‘George Cope’ was an alias, used by English/Australian artist Ernest Edwin Abbott (1888-1973).
Born in 1888 at Bideford, Devon, he came to Australia and trained as a sign writer in Western Australia. In 1917 he opened a studio in Melbourne. He seems to have completely given up on art in around 1939- the beginning of WWII. The last 30 years of his life don’t seem to have any artistic products; he ran a machine workshop instead.

Subjects are mainly Australian scenery, but he also did English and Egyptian scenes. This suggests trips back to England via the Suez Canal, with a stop over to paint & sketch.

George Cope /Ernest E. Abbott..... Pharaoh's Tomb, circa 1925
George Cope /Ernest E. Abbott….. Pharaoh’s Tomb, circa 1925

In the case of our Arab watercolour, the tomb is not an ancient Egyptian tomb as the title suggests, but a typical Arab whitewashed tomb complex of a much later date: perhaps the local tradition was that it was the tomb of a Pharaoh, which suggests he was there in-person to paint it. Other watercolours show ancient Egyptian temples in great detail, which support the ‘on-site’ idea, rather than an imaginative scene done in a Melbourne studio.

Online art records are full of discrepancies when it comes to Cope-signed etchings: it seems the American artist George Cope (1855-1929) has been mistaken for this ‘alias’, but a check of the American’s artworks reveals they are very different in nature – and never Australian subjects. The mystery is why E.E. Abbott took that exact name….. and why he was never publicly acknowledged, or exhibited, like his contemporaries such as Baldwinson and Victor Cobb.  There’s more to be discovered about the mysterious George Cope /Ernest E. Abbott…..

Royal Australian Air Force

Some interesting Royal Australian Air Force memorabilia has come to Moorabool, along with some other militaria items of interest.

Clifford Dudley-Wood's portrait of RAAF officer Peter Napier Munro, 1945
Clifford Dudley-Wood’s portrait of RAAF officer Peter Napier Munro, 1945

This portrait by Clifford Dudley Wood (1905-1980) dates to his war-time military service: although he was not designated an official ‘War Artist’, he did produce a number of works & portraits recording his experience. Being handy with a paint brush, he was actually in the ‘Camouflage Brigade’, responsible for the confusing patterns to preserve allied military equipment!

Clifford Dudley-Wood's portrait of RAAF officer Peter Napier Munro, 1945

This portrait shows a NCO Sargent, who judging by his brevet – the badge with ‘AG’ and a wing on his shirt – was an air-gunner in the Australian Airforce. He had the tough job of keeping the enemy aircraft at bay with his guns, and was therefore a primary target for them, and the highest-risk category in the force…. a little poking around in the War Memorial records, and we have his details and an amazing photograph! He was WO Peter N. Munro, from Orange.

1918 BAP propellor WWI
1918 S4C propellor, WWI

The artist, Clifford Dudley Wood, was born in Geelong, studied art & design at Swinburne Technical College in Melbourne in the early 1920s, and exhibited with the Victorian Artists Society. He was twice a finalist for the coveted Archibald Prize. During the Great Depression, he made a living from commercial art, being responsible for many magazine adverts and iconographic adverts. At the same time, he began exhibiting his own artwork.

During World War Two, he was stationed on RAAF bases, and they utilised his ‘skills with a paintbrush….’ for creating camouflage! It is apparent that he also had time for private commissions: this portrait is one of a group of ‘men in uniform’ by Dudley-Wood.

Tres Français!

Saturday 28, Sunday 29 October 2023

Le Festival Français, Geelong 2023

We have a treat for our local customers: a weekend of French food & fun, hosted at Geelong’s beautiful National Trust property, ‘The Heights’. 
Moorabool is opening a genuine ‘Brocante’ – we have taken the charming Dovecote in the garden, and will have it stuffed full of interesting items to buy. 

As well, Paul Rosenberg will be giving a lecture, ‘Trés Français’, taking a small audience through the wonderful influence France has had on our culture. This takes place inside the house, spaces strictly limited, so head to lefestivalfrancais.com.au if you would like to come. 

Note: the funds from entry etc. go towards the actual property, a terrific fundraiser for this treasured local property.

THe Heights

The house will also be opening for guided tours throughout the weekend: we’re excited to be involved with this also, and Moorabool has been asked to ‘dress’ the rooms in a French theme. 

Vite! …and apologies to those who live too far away: we’ll post some photos ….. 

Read more & book tickets >>

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Curated -Australiana

Neville Cayley Junior Cockatoos
Curated Collections
Australiana Curated Collection

Australia has a vast range of items unique to this ‘Great Southern Land’…. from the First Nation’s fascinating art & artifacts, to the inevitable Exploration and Colonisation by Europe, with depictions of the startling unique animals and landscapes so very foreign to European eyes. The items from our earliest colonial days show attempts to understand and illustrate Australia’s uniqueness.
Materials used were expensive if imported the daunting distance from Europe – so local resources were soon exploited, the prime being the ‘Australian Red Cedar’, a fine furniture timber that has a unique quality much loved by Australiana collectors.
The mid-19th century brought about the biggest change, when Gold was found throughout the country, attracting huge numbers of migrants. While mostly British, they came from all over the world, bringing with them endless new ideas and crafting techniques – for example, Chinese craftsmen, attracted by the gold initially, soon settled and became furniture makers – using their traditional techniques and tools to create English-style furniture.
The gold resources were vast, and Australia rapidly became wealthy. During the last quarter of the 19th century, this wealth was often shown in luxury houses, full of luxury goods, with Melbourne being the ‘wealthiest place on earth’ for some time in the 1880’s.
Gradually in the 19th century, an understanding and maturity emerges, with landscape and wildlife artists producing realistic depictions, with artists developing their own distinct styles unique to Australia. Home-grown industries like Australian Pottery created yet another unique – and collectable – aspect of ‘Australiana’.

We hope you enjoy our offerings, and please feel free to contact us with any questions.

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C. Dudley Wood’s portrait of RAAF officer Peter N. Munro

Clifford Dudley Wood was born in Geelong,

This splendid wartime watercolour portrait depicts a very distinct character.

By his stripes he’s an NCO Sargent, and reading his brevet – the badge with ‘AG’ and a wing on his shirt – he was an air-gunner in the Australian Airforce.

It’s a signed watercolour by Clifford Dudley Wood. He was born in Geelong, studied at Swinburne in the early 1920’s, and exhibited with the Victorian Artists Society. He became a commercial artist, but always followed his own path in oils & watercolours. By the 1940’s he was a successful artist in his own right, being a finalist in the 1941 Archibald Prize twice . He has been described as a ‘Romantic Realist’.

During the War years, he was posted to both Queensland and Darwin, his role…. camouflage artist! While in military service, he produced a number of art works. Several feature RAAF officers, like this handsome one of WO Peter N. Munro of Orange.

Clifford Dudley-Wood's portrait of RAAF officer Peter Napier Munro, 1945


MUNRO, PETER NAPIER : Service Number – 405764 : Date of birth – 11 Jul 1918 : Place of birth – BRISBANE QLD : Place of enlistment – BRISBANE

Official Military Record Entry
PN Munro- RAAF - Dudley-Wood's inscription to the back.
Sgt. PN Munro- RAAF – Dudley-Wood’s inscription to the back.

Munro was a WO – a Warrant Officer – in the RAAF, serving in the No.21 Squadron.

No. 21 Squadron

No 21 squadron was formed in 1936 at Laverton, near Melbourne, and entered the war years with the task of training and convoy escort duty. As war with Japan became more likely, it was moved to Singapore, and then on to Malay in late 1941, where 5 days later they had their first taste of conflict, and it didn’t go well; they were pulled back to Singapore, then to Java, and shipped back to Fremantle in 1942 and disbanded.

21st Squadron undergoing training at Laverton – the man far left looks a little like PN Munro…

At this time, Munro was married:

A very quiet wedding took place at the Presbytery on Wednesday night, when Elizabeth Patricia (Beth), only daughter of Mr. and Mrs. Pat Williams, of Summer Street, was married to Sergeant Air Gunner Peter Munro, R.A.A.F., son of the late Mr. Munro and Mrs. Munro, of Brisbane. The bride looked very attractive in a beige tucked frock, white hat and gloves and navy accessories and a shoulder spray of lily of the valley……….

LEADER newspaper, Orange – Friday 30 October 1942:

One year later, Squadron No. 21 was re-formed in South Australia, and quickly transferred to Queensland with updated American planes. After four months of training, the 21st was transferred to New Guinea. Here it used Vultee Vengeance dive-bombers, but as the Japanese advance was stopped and then reversed, longer range aircraft were needed. No. 21 was withdrawn to Queensland, and the squadron trained on American bombers, the Consolidated B-24 ‘Liberator’. It was probably at this stage that Munro, the subject of this painting, was trained and became a part of the crew of MJ-W. A gossip column in the Orange ‘Leader’ follows his story:

Flight Sergeant Peter Munro received his promotion to the rank of Flight Sergeant in May last.

LEADER newspaper, Orange – Friday 3rd December 1943

October 1944 mentions a baby daughter has been born, and Peter Munro is home on leave from the Air Force. By the end of the year, the squadron transferred to Fenton airbase, south of Darwin, where a series of photos of the crew were taken. In the following photograph, we see the dapper Peter N. Munro, dressed in the same shirt with the same insignia with ‘AG’ indicating ‘Air Gunner’. This meant he had one of the most dangerous jobs of all: the gun torrent either at the front or the back was a primary target for any attacking aircraft, as it could potentially guard the bomber from any attack.

Left ImageRight Image

As you can see above, Munro is easily identified by C. Dudley Wood’s excellent watercolour depiction.

Meanwhile, the stiff resistance in New Guinea meant Japanese paused, then withdrew; No. 21 squadron flew constant missions from Fenton in the first months of 1945, making the use of the long range the bombers had.

The final conflict for the squadron were the landings at Borneo, with the Battle of Balikpapan on July 1st commencing with large landing parties of Australian troops, preceded by multiple bombing raids by the RAAF. These were the last flights, as enemy resistance was gradually overcome. Two months later, on the 2nd September, Japan surrendered. One more flight remained, and Munro’s flight home was recorded…..

Orange’s ‘Leader’ paper reports on the 14th September, 1945:

Clifford Dudley-Wood's portrait of RAAF officer Peter Napier Munro, 1945

“W.O. Peter Monro, R.A.A.F., left Borneo by plane on Sunday and was in Darwin for tea and Sydney for breakfast. He arrived in Orange on Tuesday afternoon for six weeks leave with his wife and baby Cherilyn.”

More gossip column reports speak of ‘Sergeant Air Gunner Peter Munro and his pretty young wife…. this attractive pair are always a welcome addition to the Orange Younger Set’.

We can see this character in the eyes of the handsome, strong character Dudley-Wood has painted.

So back to the original question: where did Clifford Dudley Wood and Peter Munro cross paths?

The base at Lowood, Queensland, was where they may have met, but Dudley Wood was also sent to Darwin. He may have come across Munro there, and there are a scattering of other military portraits it would be interesting to cross-reference with.

Being a commercial artist, it is probable that Clifford Dudley-Wood was able to secure commissions from people in the services like Peter Munro, as what better way to surprise a loved one – like Mrs Peter Monroe back in Orange – with an image of his very handsome mug in uniform!

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Fresh Stock – Worcester, Australiana, India…

Ali Bahadur II (1832-73) by Emily Eden

Welcome to the latest Fresh Stock release on Moorabool.com.
This week has seen a wide variety of quality pieces entering our stock lists, from a terrific selection of Worcester Porcelain, to a range of quality Chinese items, Indian & Colonial items, and Australiana items.

There’s some rather special pieces to be seen – be sure to check out the ‘Curated Collections’ through the links below.

Ali Bahadur II (1832-73) by Emily Eden
Ali Bahadur II (1832-73) by Emily Eden

This beautiful hand-coloured lithograph of an Indian Prince is a rarity. It is one of 28 plates from a private publication of 1844, created for the remarkable Emily Eden, using her sketches she did while India in the 1830’s. Her brother was governor at the time, and she wrote – and sketched – extensively. Queen Victoria was a friend, and a copy of the publication is still in the Royal Collection: no doubt her interest in India was encouraged by Emily’s accounts and illustrations. While a number of monotone examples were published, the coloured version is regarded as a great rarity, with only a handful finished like this: we have two examples to offer.

The two portraits shown here are some of our exciting recent Australiana discoveries. They are husband & wife, titled ‘Sir Henry Parkes’ & ‘Lady Parkes as young girl’. The question is, which ‘Lady Parkes’ is it? Sir Henry is of course identified by the inscription to his mount – or is he…..

There’s a lot to the story of the above two influential Australians….. read more on our blog post.

Fresh Ceramics – featuring Worcester

Fresh to Stock

Curated Collection: Anglo-Indian

We’re beginning an Indian ‘Curated Collection’ today, featuring some super-rare early Lithographs with an interesting story to tell.

Tres Français!

Saturday 28, Sunday 29 October 2023

Le Festival Français, Geelong 2023

We have a treat for our local customers: a weekend of French food & fun, hosted at Geelong’s beautiful National Trust property, ‘The Heights’. 
Moorabool is opening a genuine ‘Brocante’ – we have taken the charming Dovecote in the garden, and will have it stuffed full of interesting items to buy. 

As well, Paul Rosenberg will be giving a lecture, ‘Trés Français’, taking a small audience through the wonderful influence France has had on our culture. This takes place inside the house, spaces strictly limited, so head to lefestivalfrancais.com.au if you would like to come. 

Note: the funds from entry etc. go towards the actual property, a terrific fundraiser for this treasured local property.

THe Heights

The house will also be opening for guided tours throughout the weekend: we’re excited to be involved with this also, and Moorabool has been asked to ‘dress’ the rooms in a French theme. 

Vite! …and apologies to those who live too far away: we’ll post some photos ….. 

Read more & book tickets >>

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Australian Portraits: A ‘unique’ Sir Henry Parkes profile, + Miniature of Lady Parkes as a young girl.

Sir Henry Parkes & Lady Eleanor Parkes

Australia became a Nation in 1901, but it was a long process that made this possible. The six far-flung colonies had each developed in their separate ways, and it was the perseverance of Sir Henry Parkes that brought them together. He deserves the title ‘The Father of Federation’.

An amusing Australian adaptation…. Charles Dickens as Sir Henry Parkes!

Moorabool has recently discovered two items that relate to Sir Henry Parkes and his wife, Lady Parkes.
The first is a cast-iron plaque showing a portrait of a bearded gentleman. Mounted onto a turned cowrie pine back, it is typical of the Victorian plaques of notable people, made in large numbers to adorn public buildings like halls and libraries. This example is identified around the edge as ‘SIR Henry Parkes’.

Brass ‘Dickens’ plaque


HOWEVER…. it’s actually a terrific example of Aussie ingenuity.
You see, this is not intended as a portrait of Sir Henry Parkes – rather, it was cast in Britain in the 1860’s-70’s as the literary giant, Charles Dickens – who sported a similar magnificent beard and wild hair. Imported into Australia, and perhaps displayed on a library wall somewhere, when Sir Henry Parkes rose to fame in the latter 19th century, an enterprising scholar has added the inscription to make it the ‘Father of Federation’!

Henry Parkes, Fancy Goods & Toy Seller

Did you know the ‘Father of Federation’ spent a lot of his time retailing ‘fancy goods’ in Sydney? His adverts make fascinating reading, giving a glimpse into the parlours and nurseries of Sydney in the mid-19th century.

Here’s a sample – from the stock of Moorabool Antiques, 170 years later! His shop must have been a present-day Antique Collector’s Aladdin’s Cave….

Adverts for Parkes, 1840’s-50’s

Sir Henry Parkes would have felt quite at home at Moorabool Antiques…. he was a business man and craftsman, learning the trade of ivory-turning before migrating to Australia in 1839. He opened a shop in Hunter Street, Sydney, where he sold ivory products he made, as well as a broad range of imported decorative & useful items:

“Bohemian Glass, Vases of rich and various patterns, handsome China ornaments, PORCELAIN FIGURES From one inch stature, and comprising a hundred varieties. Also, FIGURES IN BISCUIT CHINA. Children’s China, dinner, dessert, tea, and coffee Services. CHINA PUNCH BOWLS, Vases, flower-pots, pomatum jars, match cups, mugs, cream ewers, plates, teapots, etc. ROSEWOOD DRESSING CASES, work-boxes, fancy baskets, FANCY SMALL WARES: TORTOlSESHELL, enammelled and fine leather ladies’ companions, alabaster and enamelled jewel boxes, tortoiseshell and sandlewood card caes, fine leather and enamelled netting boxes, alabaster and silk paper weights, enamelled letter cases and toilet stands, tortoiseshell and leather cigar cases…….”

Another advert from 1846 is fascinating, as it is solely advertising Pacific Tribal Artifacts:

“ISLAND CURIOSITIES – To Gentlemen proceeding to Europe – A variety of bows and arrows, clubs, spears, battle axes, canoe paddles, stone adzes and other South Sea Island weapons &ect.”

Sounds familiar…. you’ll find exactly the same at Moorabool Antiques today – but now they’re Antique!

The second ‘Parkes’ item is a very personal portrait miniature. Purchased in original frame and untitled, an investigation of the backing discovered two inscriptions: firstly, it is a hand-coloured photographic portrait, with a printed back stating it is ‘Photographed at Bachelder’s, 41 Collins Street E, Melbourne’.
Second, it has an inscription declaring it depicts ‘Lady Parkes as Young Girl’.

It suddenly becomes an important part of the story of Australia.

Portrait of Lady Parkes as a Young Girl
Portrait of ‘Lady Parkes as Young Girl’

The frame and mount are original, with the backing paper replaced with opening to show back of photo.

'Botterill Artist'.

The inscription on the back reads ‘PHOTOGRAPHED AT BATCHELDER’S 41 COLLINS ST E., MELBOURNE’, over which is inscribed in pencil ‘Botterill / Artist’.

The three ‘Lady Parkes’

Who was the subject?

Clarinda Parkes, 1880s

Lady Clarinda 1813-1888

There were three ‘Lady Parkes’, as Sir Henry always seems to have needed a companion – especially in his old age, where he had terrible luck with his partners.


His first wife, Lady Clarinda Parkes, was a Birmingham Dressmaker & Sunday-School teacher who married 21-year old Henry Parkes in Birmingham in 1836, when he was just ‘Mr Parkes’, son of a farmer and a novice businessman (which didn’t prosper for him). She came out to Australia with him, having their first child just 2 days before they landed, the first of 12. She had little public interaction, even when he became a notable in New South Wales government. She died in Sydney in 1888, aged 75 – and as this image we are considering is of a young ‘Mrs Parkes’, and is taken by a Melbourne photographer, it cannot be Clarinda who is depicted. She had 12 children, 6 of whom were still alive in 1888.

Eleanor Parkes, n.d.

Lady Eleanor 1857-1895

The second ‘Lady Parkes’ was Lady Eleanor Parkes, a Sydney resident who married Sir Henry a few months after his first wife had died, in 1889. She took a keen interest in Politics, particularly social matters such as the plight of the ‘waifs’, the homeless youth of the time. She travelled with her husband as his political position grew, and appears to have been actively interested and supportive of his policies. She died from cancer in 1895, and they had five children.

Lady Julia 1872-1919

The third ‘Lady Parkes’ was Lady Julia Parkes, an Irish migrant born in 1872, employed as Nanny & House-keeper in the Parkes household, where she nursed the weakening Lady Eleanor. She married the 79 year old Sir Henry in 1895 – just months after the death of Eleanor. This was the shortest marriage, as Sir Henry died just 6 months later, in April 1896.

Setting out the three ‘Lady Parkes’ as above makes him look awfully unlucky – and afraid of being lonely….
But unlike Henry VIII, he wasn’t desperately seeking an heir – he’d already fathered a dozen children. Rather, he sought someone of the opposite sex to make his home ‘homely’, a companion for his old age and protector of his children.

So which of the three is the portrait at Moorabool?

Clarinda, the first Mrs Parkes, who married him when he was just a lad of 21, was apparently the love-of-his-life for the next five decades – but it was only months after she died (after a long illness) that Eleanor was married to Henry. As a contemporary commentator said in the papers, ‘…the community was startled by a report which was published, that Sir HENRY PARKES had just been married”…. The shock wasn’t just that ‘….she is considerably younger than her husband’ – 32, when he was 74 – but also the fact they had been an item while his elderly wife was ailing, and in fact already had two children together! So the untold story was that Sir Henry Parkes had married his mistress after his wife had died. His political opponents and the papers made the most of the situation….

This relationship was contentious – his daughters were reported to have left the house in disgust, his servants all quit before he returned with his bride, and the doors of Parliament were closed to him due to his ‘indiscretion’.

Lady-Eleanor-Parkes aged 14, by John Botterill, 1870

It was justified in the press:

The facts of the matter are, we learn, that the aged statesman, feeling the loneliness of his life when State cares, gave him a brief respite, determined some short time ago—for he is not a man to dilly-dally in such an important matter—that his final days should be soothed and made happy by a second partner of his joys and sorrows. …..

However, the plan of being soothed by Eleanor came crashing down when she became ill and soon died, in 1895.

Sir Henry Parkes continued his career of scandal by marrying his housekeeper, Julia, only three months after Eleanor passed away! Julia was an Irish migrant, and had been employed as the housekeeper / nanny in the Parkes household. She nursed the ailing Lady Eleanor, and it is said that Eleanor herself requested that Julia marry the elderly Sir Henry Parkes. Although somewhat scandalous, this made sense in the Victorian world: there were five young children in the household, and Henry had died penniless and in debt. Julia fulfilled his wish – she dedicated the rest of her life to this step-family, never re-marrying and going to great lengths to provide them with a stable upbringing. She was a remarkable woman.

The Image: both a Photograph and a hand-painted Miniature.

Lady Parkes as a Young Girl
“Lady Eleanor Parkes as a Young Girl”

This very engaging image is actually an albumen silver carte-de-visite, the traditional way of providing images for family & friends; however, while most would be placed into specially made albums with spaces the exact size of the image, this example is intact in it’s original Victorian frame, and behind glass. This is essential, as the fine painted surface, applied over the photographic image, is very vulnerable. The effect is superb, to the degree that when this was sold as a portrait of an unknown girl, it was also described as a ‘portrait miniature’ rather than a hand-coloured photograph.

The work is produced in the Batchelder studio, 41 Collins Street East, Melbourne. This was established by the well-known American Batchelder brothers, who had come to the Australian goldfields directly from the Californian goldfields with the sole purpose of setting up a photographic business. While they had left by the stage this photo was taken, the studio name remained associated with the address for several decades.

41 Collins St E- premises of Batchelder & Co, upstairs.

Batchelder’s was regarded as a premium establishment, and many of the images of notable members of Melbourne society of the period were the product of the studio. In 1867, an advert reminds the public that Batchelder’s has now been going for 11 years – ie since 1856 – and has stored over 25,000 negatives in case you would like a re-print!

The image is signed in pencil to the back, ‘Botterill / Artist’. This is a very interesting detail: the ‘artist’ was John Botterill, described as miniaturist, portrait painter and professional photographer. He was active in Melbourne in the mid 1850’s joined the organising committee for the 1853 Victorian Fine Arts Society’s exhibition, to which he contributed eight works including a miniature self-portrait. In 1859, he is working as a ‘visiting master’ at  Woodford House, a school for Young Ladies in Park Street. In 1861, he joined Batchelder’s Photographic Portrait Rooms in Collins Street East, ‘engaged … to paint miniatures and portraits in oil, watercolour or mezzotint – these deserve what they are receiving, a wide reputation’. He also gained knowledge of photography from somewhere, so probably learnt ‘on the job’ in the busy studio. In 1866, he became one of the partners of the firm alongside Dunn & Wilson, and in 1867 the firm won a medal at the Intercolonial Exhibition for their tinted photographs. This was the work of Botterill, as the advertising from that year emphasises:

“…the PORTRAITS… painted by Mr J. Botterill, artist…. on view in the Fine Art Department , (at the) Exhibition, and to state that Mr Botterill is still at Batchelder and Co’s, 41 Collins St East..”

The use of ‘is still at‘ is curious, and perhaps reveals problems in the company. They parted ways at around this time. In his 1869 adverts, Botterill declares:
“J. BOTTERILL. Portrait
Painter and Photographer, REMOVED from
Batchelder’s to 19 Collins Street East”
He continues at this address for several years, before opening in Elizabeth Street for his final years. He died in 1881.

Lady Parkes as a Young Girl
“Lady Parkes as a Young Girl” – but which one?

Who is ‘Lady Parkes’?

The subject of this photo would be hard to place if it didn’t have the inscription, added to the backing of the original. Sir William Parkes had 3 wives, but we can identify who this one is by the fact the photography studio was in Melbourne. His first, Clarinda, was born in England in 1813 and far too old when they migrated to Sydney in 1839. The third, Julia was born in 1872 – probably after this photo was taken – so she’s not possible. The  second, Eleanor, was born in 1857, so is the right age for a Melbourne photograph in the late 1860’s, early 70’s.

John Botterill signature, Melbourne Artist c.1870
John Botterill’s signature, Portrait of Eleanor Dixon/Lady Parkes 1870

John Botterill signed this piece, on a Batchelder-branded photograph. Note there is no ‘partnership’ described, as was the case 1866-68. Having the partnership details removed would suggest it belongs to a transitional period – the photograph taken at 41 Collins Street East, with the painting done by Botterill a few doors down at his studio, 19 Collins Street East. There was still a strong connection, as after Botterill died in 1881, the Batchelder studio advertises that they have added the archive of Botterill’s negatives to their own extensive archive.

The final dating evidence is the arrival of Eleanor Dixon, the future Lady Parkes, in Melbourne as a migrant. She was from Wooler, Northumberland, one of five children, her father listed as a ‘Master Shoemaker’. He died in 1869, and several months later, Eleanor’s elder brother was married and promptly left for Australia. Eleanor and three siblings followed in 1870, accompanied by their mother.

Lady Eleanor Parkes as a girl, c.1870

1870 becomes the most probable date for the portrait. Eleanor would have been 12 or 13, an appropriate age for the girl in the photo, who still has her hair ‘out’, indicating she was not yet considered an adult. Around her neck is a black ribbon with large gold locket: this is typical Victorian mourning jewellery, and no doubt had a portrait of her late father in it.

Lady-Eleanor-Parkes aged 14, by John Botterill, 1870

We can imagine the scene: the newly arrived family caught up in the bustle & thrill of Marvellous Melbourne in the post-Gold rush boomtown, celebrating their new life with a very fine portrait. She engages the viewer with a very frank, inquisitive look. There’s a pink rose on her dress, and she is presented as a true ‘English Rose’, her hair spilling wildly out over her lace-trimmed dress, not yet constrained on top of the head in an adult style. For the young Eleanor, the future was as golden as the mounts of this image; anything was possible – and indeed, for a few years in the 1890’s she achieved something remarkable, marrying one of the most powerful men of the age, the ‘Father of Federation’.

On the theme of a ‘Golden Future’, there’s a wonderful image of Lady Eleanor Parkes on tour with Sir Henry: they were visiting the offices of Bushman’s Mine in around 1890; sitting to the right with her son is Eleanor, beside a very strong table on which sits a big lump of gold castings. The label at the front reveals its weight to be 1,347oz – and named “The Lady Parkes” in her honour!

Bushman’s Mine, Parkes: a 1,347oz ingot titled “The Lady Parkes”, with its namesake sitting to the side! Sir Henry is unmistakable on the other side with his wild white hair & beard.
1895 newsprint photo of Lady Eleanor Parkes
©Paul Rosenberg, Moorabool Antiques, Geelong.    Please contact if you wish to reproduce any part of this documentation.   Images from various online sources, mostly TROVE-accessed archives. 

Further Info on John Botterill & the Batchelder & Co Studio.

Left ImageRight Image
The 1866 partnership names appear on the lower image; the circa 1870 card back on the portrait of Lady Eleanor Parkes has had this removed, reflecting the updated state of the company.
1851 John Botterill miniature, English Market 2010’s
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Anglo-Indian Antiques & Art

Indian Antiques Group
Curated Collections
Indian Bronze Khandoba / Shiva, 19th century
Indian Bronze Khandoba / Shiva, 19th century

Indian Bronzes

‘Indian’ Silver

As the British enriched on Burma, they assimilated the artworks of Burma (Myanmar) into the category ‘Indian’. While the styles are vaguely similar, it is not a happy combination – the Burmese craftsmen had a long history before the British came, and it differs from the neighbouring ‘Indian’ styles.
For the sake of this Collection, we have maintained the ‘Indian’ umbrella term to cover what the British generally still call ‘Asia’ in a vague way, covering India and the neighbouring countries.

Indian Boxes

Anglo-Indian Art

Prints

The reverse of the ‘Wellington Shield’ ink sketch bears an image from Colonial India. See it here>>

Indian Alabaster

Anglo-Indian Furniture

Ceylonese / Sinhalese / Sri Lanka

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Fresh Stock

Tribal Artifacts at Moorabool Antiques

Welcome to the latest ‘Fresh Stock’ release at Moorabool.com .

Today, there’s a selection of Porcelain & Prints to browse,
and an extra-large selection of ‘Tribal’ art & artifacts to explore.

  • New Caledonia Carved Tribal Figures
  • Death of Cook

FRESH to STOCK

Exploration & Captain Cook

Pacific Tribal Canoes
Pacific Islander Canoes at Moorabool Antiques

The Pacific Ocean is a large part of the surface of the planet – and it was almost entirely populated by mankind, thanks to the ingenuity of the navigators and ship-builders. Early European explorers were surprised to find flourishing cultures in remote corners of the Pacific, and greatly admired their watercraft. We have some fascinating models of these vessels at Moorabool.

#m22-9-23

Tonga

The Friendly Isles

Tonga was explored by Cook in 1774, and named ‘The Friendly Isles’ due to his positive experience there. We have a series of interesting items relating to Tonga, from charts & images produced for the ‘Cook’s Voyages’ volumes printed in the 18th century, to a remarkable cloth map that includes the Captain Cook sites of significance, and the areas where oil was discovered in the 1960’s! For several decades, it looked like an oil rush was about to take place around Tonga, when at least one rich oilfield with millions of barrels potential was found. Today, this is almost forgotten – and Tonga is among the Pacific nations trying to curb the world’s reliance on oil, due to the potentially disastrous affect a rise in sea levels would cause. The ‘Oil Chart’ is a historic irony!

Tribal