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Fresh Stock – Artworks, Georgian Furniture, Silver, Glass & more!

Our latest Fresh Stock on Moorabool.com includes a terrific variety of fine items – including some Sterling Silver rarities, usable Whiskey & Wine glasses, and a scattering of jewellery.

Lots more in the pipeline, as October draws to a close it will soon be November – and that’s almost Christmas! We will have a sensational selection of Christmas Present ideas for all of those who like to plan ahead.

Enjoy!

Best wishes from Paul & Glenys Rosenberg & all at Moorabool

Original Artworks

Portrait Miniatures

We have a fine collection of Portrait Miniatures to offer over the next few weeks. From several collections, including John Rosenberg’s own personal pieces, we will be putting them into their own gallery – see them all here >>

Rare Dutch Silver from the Napoleonic Period

French Occupation Dutch Napoleonic Silver
“French Occupation” Dutch Napoleonic Period Silver:
A – Empire shape teapot
B – Helmet-form jug

These two pieces of Napoleonic-era Silver have an interesting tale to tell.
The hallmarks show that the teapot is French, and the jug is Dutch. Not illustrated is a matching tea canister, also Dutch. This canister has an engraved dedication – a wedding gift in the early 19th century. It was retained by the family, and opens up an interesting story: the family name was well represented in records available online, and at this period was involved with the famous Dutch East Indies company (VOC). This enterprise, controlling trade from the far East to Europe, created huge fortunes for those involved, and this was most certainly the case with this family; Meissen porcelain, and quantities of early Chinese porcelain, some dating to the VOC’s heyday in the Kanxi period, 1644-1722. (These will be the subject of another release & blog in the near future, stay tuned for more!).

French Occupation Dutch Napoleonic Silver Hallmarks
French Occupation Dutch Napoleonic Silver Hallmarks
A – Helmet-form jug mark, 1809
B – Empire shape teapot mark, introduced 1809

A- the hallmarks of the jug are Dutch, with the Crown being used for a short period, 1807-10, for large articles of .934 grade silver. The stork with eel in beak beneath it is the City Guild mark for The Hague, and the ‘M’ indicates a maker, while ‘g’ is for the year 1809.

B- the hallmarks for the teapot indicate a French origin – the helmeted head is the mark used for certified Silver items, of ’provincial’ origin (Paris makers used the head of Athena). The Rooster mark is the fineness indicator for France, introduced in an oval such as this to indicate ’Provincial’, .950 grade silver, in 1809. However, thanks to Napoleon, the French Kingdom spread far across Europe – and their particular assay system for precious metals was used in multiple places. Also widely used was the diamond-shaped stamp containing the maker’s mark, although a single letter – ‘S’- is not common, with the majority of makers having two.
Dutch silversmiths had used the marks seen in ’A’, the helmet-shaped jug, but were forced to disband their guilds and conform to the French marking system. A search for the ’S’ maker has so far been unfruitful, in both Dutch & French makers.

The jug & teapot tell an interesting story, of the time when France held sway over even the silversmiths of Holland. Napoleon’s vision of Empire brought with it the elegant simplicity of these ‘Empire Style’ pieces, and they show the harmonious situation in Europe for the few brief years of the Kingdom of Holland.
The jug, reading the date letter, was made in 1809; the teapot was made to the same pattern, with it’s hallmark type being first introduced in 1809, whether in either France or Holland, and it was then combined as a tea service.

Napoleonic French Silver Lion 1809
The finial is this ‘worried’ Napoleonic solid Silver Lion, datable to 1809

Sterling Silver Surprises

We have a quantity of English Sterling Silver to offer, from local estates – including some collector’s rarities, and some very usable pieces.

Sterling silver spoons

These ordinary looking Georgian Sterling teaspoons are nothing remarkable from the front – but turn them over, and instead of the normal stub at the junction of handle & bowl, they have fancy moulding – these are ’Picture back’ spoons. For a while during the later 18th century, there were a number of spoon makers who decorated their spoon backs in this manner, but numbers were always less than ’normal’ production and they’re the rarities of today’s Sterling Collecting field. We have several ’scroll backs’, a ’single rose back’ and another that doesn’t seem to have a name – a simple scroll moulded to the back.
All came from a local family via a family inheritance from the UK.

English Pictureback Silver
Georgian ’picture back’ Sterling Silver spoons, 1760’s-70’s

Pair of Sugar Castors

These interesting sugar-castors were used by the Georgian diner to spread sugar on desserts. While the shape is something from the earlier 18th century, these are hallmarked for 1775 & 1777 – the last years such pieces were used. They were being replaced by new sugar-spreading techniques – sugar bowls and baskets with sifter-spoons.

Georgian Sterling SIlver sugar castors, Thomas Daniell
Pair of Georgian Sterling SIlver sugar castors, Thomas Daniell

They are marked for a second-generation London silversmith, Thomas Daniell (also spelt with one ‘l’). His father,

A lovely large ‘Stuffing Spoon’, dated 1807.
This was literally to help with the ‘stuffing’ of poultry – and would have had to be large for a Turkey, Goose, Swan or Peacock!
It would have been very handy on the table – and why not again, it serves a decent spoonful…

Sterling Silver at Moorabool Antiques, Geelong
Some Fresh Sterling Silver at Moorabool Antiques, Geelong
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October 7th – Fresh Stock, some fine quality.

Moorabool Antiques, October 2022

We’ve had some changes in our shop layout in Geelong, to accommodate some superb ‘Fresh Furniture’. As there are a number of Dining type pieces of furniture, we now have a room setting from an elegant ‘English Country House’ – the perfect setting to showcase a good portion of our stock!

The Regency mahogany table is superb quality, with a cavity inside containing extra leaves – one complete and two half-leaves. It can comfortably seat 10 when fully extended, and yet compacts to a 6-seater of manageable size very simply.
The Hepplewhite sideboard is elegant, and provides some excellent storage including a deep ’cellerette’ drawer made to hold wine bottles.

Georgian Watercolours, circa 1820
Georgian Watercolours, circa 1820

We now have a wall to showcase some art. These interesting landscapes are Georgian, and show four views of the same Georgian house, by a ‘talented amateur’ who hasn’t signed or dated.
First instinct was ‘Could this be Tasmanian !?’, but closer examination of details show typical English countryside features such as deer and : it’s therefore an interesting Palladian-style English Country House of the early 19th century – we’d love to know if anyone recognizes it.


Each of the four views show different facades of the house, and the surrounding countryside: it is therefore possible to produce both a complete diagram of the house layout, and also the topography surrounding it!


Saltglaze

Salt Glaze English Pottery
‘Salt Glaze’ English Pottery
English Saltglaze c.1765
English Saltglaze c.1765

We have a stunning piece of ’Saltglaze’ fresh to stock. Made in the Staffordshire potteries in the mid-18th century, ‘Saltglaze’ is so-named due to the nature of the glaze: salt was introduced into the hot kiln, and as the oxygen had been consumed by the kiln fire, the resulting chemical reaction with the clay surface produced a thin, waterproof surface. As there is no added layer of glaze, the original moulding of the product shows to the finest detail, and the potters used the technique to showcase their finely detailed designs. The dish we have is ’best in class’ – crisply moulded and in terrific original condition.

Charles Meigh Victorian Gothic York Minster
Close-up detail of the Charles Meigh Victorian Gothic ‘York Minster’ Bowl 1846


It was a popular technique with the Victorians also, and the bowl shown above is a finely detailed piece designed & produced in 1846 by Charles Meigh, decorated with eight figures of saints in arches, inspired by the Gothic wonders of York Minister.


Children’s Plates

CHildren's plates, 1830-50
Fresh to stock – Children’s plates, 1830-50

These were intended to ‘Educate’ the children – but many were perhaps more likely to amuse the adults!
Take this one for example:

BEAUTY OF NATURE satirical print
REFLECTIONS ON THE BEAUTY OF NATURE

The ‘fishing’ isn’t really the subject, as the man hasn’t even cast his line: he’s gazing at the ‘beauty’ doing the fishing instead!
There’s a certain mocking undertone that would be very politically incorrect today!

OUR EARLY DAYS child's plate - Scott Pottery?
OUR EARLY DAYS child’s plate – Scott Pottery?
OUR EARLY DAYS child's plate - Anchor & LONDON mark - Scott Pottery?
OUR EARLY DAYS child’s plate – Anchor & LONDON mark – Scott Pottery?

A particularly interesting example is the girl nursing a cat, dressed up as a baby. This example is marked, with an anchor & LONDON. As this exact mark appears on wares of multiple known makers, it is thought to indicate they were made by potters for a retailer in London. The slightly different moulded daisyheads on this example are the clue we need to follow to shed more light on where it was made – and a comparable moulding & clay is found at the Scott pottery, Sunderland. They also printed versions of ‘OUR EARLY DAYS’ series, and coloured them in a similar way. However, the impressed LONDON & anchor doesn’t appear to be recorded as a ‘Scott’ mark, making this plate a probable documentary example.


Finally, there’s a fresh selection of English & Dutch Delft pottery.

Delft Pottery

CLEARANCE!
We’re making space,
with many terrific bargains here >>

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Fresh! Variety & Value….

Welcome to our first Fresh Stock for October 2022.
Today, we have a great variety to offer, from Furniture to Children’s Plates, from the useful to the ‘whimsical’.
Over the next few weeks, there will be a large number of fresh items uploaded, so keep an eye on our ‘Latest’ gallery.

Enjoy!

Natural History

There’s a number of fresh pieces of ‘Natural History’ – including dinosaur parts under $50 (terrific gifts!) , minerals, and the amazing ‘Zebra Stone’, unique to a small area in the Northern Territory.

Furniture Wax

We stock ‘Gilly’s’ furniture polish.
This is an Australian made wax, produced in Western Australia, and offers a number of different products for different situations.

‘Cream’ is the product that gives a fine finish to Antique timber. It is a whitish paste, and our stock has a lemon scent, nice & fresh. After application with a rag, it can be buffed after a few minutes, resulting in a layer of wax with a remarkable lustre: it really brings a piece to life.

AFTER

‘Restoring Polish’ is the most-used in our business, being the best for antique pieces that have a few scuffs & scratches.
It fills any scratches and makes them disappear, giving a uniform appearance.
The ‘Dark’ option is perfect for any dark finishes, the ‘Clear’ for everything else.

‘Cabinet Maker’s Wax’ is the product that gives a finish to raw wood.
We use it on pieces that have been very neglected, and need a serious refresh to their surface. The ‘Dark’ option is terrific on early dark oak pieces, making any raw or faded patches merge with original patination. The ‘Clear’ will not alter the colour, but will provide a good ‘feed’ to any raw wood.

Did you know….. the finishing wax also works on lacquer & tolewares? We used it on the black toleware tray in today’s ‘Fresh Stock’, which started out quite dull & streaky – and came up beautifully.

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Fresh stock, mid- September

Antique Pewter at Moorabool Antiques, Geelong

We have a lot of Fresh Stock to share with you!

Pewter.

There’s a charm to this mellow, often battered metal. Popular in the past, today it’s purely a decorative item – not suitable for food as it contains a lot of lead.

It’s a perfect compliment to aged Oak furniture.

Natural History

Moorabool has a fantastic collection of ‘Natural History’ to offer – Fossils, Minerals, Seashells & other Natural Wonders. They form our ‘Cabinet of Curios’.
You’ll find a new ‘Natural History’ page we have just created dedicated to this collecting field: a small number of items are available, with a huge number still being prepared – if it’s of interest, drop back regularly to see the latest additions.

Fossils

We have some spectacular Fossil specimens – these are very large examples of their type, and being rare, are more expensive.
Alongside, there are always super-affordable examples; check out the ‘Under $50’ section of Natural History, a great place to find a unique present for the ‘person with everything’…. do they have a genuine Dinosaur Tooth? (starting at $25!)

Fossils UNDER $50

Prints

We are preparing a ‘Print Gallery’ to display our extensive stock of Antique Prints. Organized into handy groups by techniques (Etchings, Engravings, Woodblocks) dates, and subject matters, you will be able to browse through over 1,000 interesting examples by the time we have finished – although that may take some time!
Fresh Prints added constantly.

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Fresh for Spring!

Welcome to our Fresh stock – on the First Day of Spring (for us Southerners!).

What better way to welcome Spring than with some Derby children with flowers…. and the Regency lacquer tray they are displayed on is simply sensational, converted into a ‘coffee table’ by mounting it on a bamboo base.

There’s plenty of Fresh Furniture to browse….

Prints of Geelong

We have started to catalogue our large holding of Prints – and what better place to start than with our local views. You’ll find a good selection of S.T. Gill views of Geelong, from the 1857 publication ‘Views in Victoria’, or the 1890 re-print.
In the near future, we have a lot of other interesting historical views from all around Australia – soon to be found fully sorted by region in the ‘Print Gallery’ we are preparing.

Fossils

We have a fine selection of Fossils to offer, from several old collections that are being dispersed. Here’s a few, with many more to come.
They make terrific presents….. Millions of years old for a few dollars!

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The Death of Nelson

Death of Nelson Staffordshire Figure

Trafalgar, 1805:
It was a tragedy of heroic proportions: the battle with the French was won, but the admiral responsible, Nelson, was dead. While the event happened in 1805, it still had the imagination of the public 40 years later, when the Staffordshire figure illustrated here was made to dramatically illustrate the event.

In the words of William Beatty, Surgeon on the Victory who published his account in 1807:

About fifteen minutes past one o’clock, which was in the heat of the engagement, he (Nelson) was walking the middle of the quarter-deck with Captain HARDY, and in the act of turning near the hatchway with his face towards the stern of the Victory, when the fatal ball was fired from the Enemy’s mizen-top; which, from the situation of the two ships (lying on board of each other), was brought just abaft, and rather below, the Victory’s main-yard, and of course not more than fifteen yards distant from that part of the deck where His LORDSHIP stood. The ball struck the epaulette on his left shoulder, and penetrated his chest. He fell with his face on the deck. Captain HARDY, who was on his right (the side furthest from the Enemy) and advanced some steps before His LORDSHIP, on turning round, saw the Serjeant Major (SECKER) of Marines with two Seamen raising him from the deck; where he had fallen on the same spot on which, a little before, his Secretary had breathed his last, with whose blood His LORDSHIP’s clothes were much soiled. Captain HARDY expressed a hope that he was not severely wounded; to which the gallant Chief replied: “They have done for me at last, HARDY.”—”I hope not,” answered Captain HARDY. “Yes,” replied His LORDSHIP; “my backbone is shot through.”……..

CAPTAIN HARDY ordered the Seamen to carry the Admiral to the cockpit; …. The Reverend Doctor SCOTT, who had been absent in another part of the cockpit administering lemonade to the wounded, now came instantly to His LORDSHIP ….. (Nelson said) “take care of my dear Lady HAMILTON, HARDY; take care of poor Lady HAMILTON. Kiss me, HARDY.” The Captain now knelt down, and kissed his cheek; when HIS LORDSHIP said, “Now I am satisfied. Thank GOD, I have done my duty.” Captain HARDY stood for a minute or two in silent contemplation: he then knelt down again, and kissed HIS LORDSHIP’S forehead. HIS LORDSHIP said: “Who is that?” The Captain answered: “It is HARDY;” to which HIS LORDSHIP replied, “GOD bless you, HARDY!” After this affecting scene Captain HARDY withdrew, and returned to the quarter-deck, having spent about eight minutes in this his last interview with his dying friend.

….The Surgeon again left him, and returned to the wounded who required his assistance; but was not absent five minutes before the Steward announced to him that “he believed HIS LORDSHIP had expired.” The Surgeon returned, and found that the report was but too well founded: HIS LORDSHIP had breathed his last, at thirty minutes past four o’clock; at which period Doctor SCOTT was in the act of rubbing HIS LORDSHIP’S breast, and Mr. BURKE supporting the bed under his shoulders.

Thus died this matchless Hero….”
1809

AUTHENTIC NARRATIVE
OF THE DEATH OF
LORD NELSON:
WITH
THE CIRCUMSTANCES PRECEDING, ATTENDING, AND
SUBSEQUENT TO, THAT EVENT;
THE PROFESSIONAL REPORT
ON HIS LORDSHIP’S WOUND,
AND SEVERAL INTERESTING ANECDOTES 
.
BY WILLIAM BEATTY, M.D.

Nelson memorabilia was a big market throughout the earlier 19th century. This is no surprise when we consider the potential market: England had spent a long time struggling with France, and the soldiers & sailors who went through the experience in the early 19th century – in their teens or twenties – were in their ‘old-age’ years by the 1840’s when this figure was made – the perfect time to buy a figure with sentimental appeal for the mantel! And perhaps, as a present from the next generation, given to the Grandfather who would entertain with his stories of ‘… back when I was in the Navy….’ .

Death of Nelson Staffordshire Figure
Death of Nelson Staffordshire Figure c. 1845

This group is rare: there are several different depictions, by different factories, with the three figures in the group. In Harding, vol. 1 p92, there are 5 variations illustrated; 4 are ‘E’ rarity, suggested at £3-400. This version, however, is ‘C’ rarity: £1,000 – £2,000.
The figures are well modelled, the painting well executed, and the most distinct point-of-difference is the pair of lanyards with rings attached, moulded & painted black front center.

Harding’s example of the rare version of ‘Death of Nelson’
The other 4 Staffordshire ‘Death of Nelson’ groups, as recorded by Harding.
left- Harding’s example, note cup in hand. right- our example, much finer details.

The visible fingers of both officers have been restored in our example – although Nelson has somehow survived intact! Examining the illustrated example reveals a mistake the restorer made: the figure on the left should have a glass of water he is offering to Nelson, not included with the restoration.

This comparison with the example in Harding’s book also emphasizes the superior quality of our example – the detailing seems much crisper, which may simply mean it came out of a newly made mould, as opposed to the harding example, where the mould was well-used and details less distinct.

It’s a fine & desirable rarity, despite its flaws!


Death of Nelson Staffordshire Figure

Who are his companions?

With the tale of his death as told above, we can identify the figures comforting Nelson. To his left is the gent who should have a glass in his hand; this would fit the part played by the Reverend Doctor Scott, who was ‘administering lemonade to the wounded’ and gave Nelson liquid when he requested it.
To his right is an officer, holding his hand; this would be Hardy; famously, towards the end, Nelson said ‘Kiss me, Hardy’.

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Fresh stock – Fantastic Variety

Today we have a big variety – from an almost life-size alabaster bust, to some fresh furniture, antiquities, ‘seaside’ souvenirs, and even a Black Forrest bear.

Enjoy!

Furniture

We’re over-stocked with Fine Furniture! Unfortunately, it has been difficult to access the furniture on our website – until now.

See our Antique Furniture
See our Antique Furniture Galleries


We’re pleased to introduce a brand-new browsing page, which groups the furniture into logical galleries for you to enjoy. Click on the above banner – also now featured on the homepage – to see our furniture.
Note: there’s a vast amount of furniture in stock, 600+ pieces, and much is still to be catalogued – if there is something in particular you are looking for, contact us. More added constantly!

Antiquities

We have some more interesting Ancient pieces for you to enjoy, including a collection of arrowheads. These are not uncommon in the ancient world, as they were a very necessary product. Warfare was a way of life – and a city being attacked needed a vast stock to keep the enemy at bay. The other aspect was hunting – this was an everyday necessity in some cultures, and once again needed a lot of arrowheads made.
Of note in this collection released today is an ancient Egyptian example around 3,000 years old, another Egyptian-made example that is only 2,600 years old (!) – but with Greek origins. Others are Roman, Persian, and a Medieval English example found in the Thames.

There’s some pottery, and a remarkable ancient bronze mirror…

Seaside Souvenirs

These fun items show the Victorian’s classic holiday – a Seaside trip. The ‘sand pictures’ were a classic souvenir of the Isle of Wight, taken from Alum Beach – and depicting the classic view from the beach of ‘The Needles’, a series of sea-stacks on the neighbouring headland. The mussel shell is painted with a fishing boat, and applied with real shells and a small moulded pottery fishwife….. you can almost hear the seagulls.

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Fresh Today – Antiquities, Staffordshire Figures, Georgian Cutlery, plus more!

Sterling Silver Georgian

A variety of Fresh items have just been released on Moorabool.com –

John Gilpin – a Staffordshire Figure of the hapless husband on his runaway horse, made when it became an act at the Astley Theatre, London (the ‘First modern Circus Ring’) in the 1850’s
Astley's Amphitheatre in London, Rowlandson 1808
Asterly’s Amphitheatre in London

“The Diverting History of John Gilpin Shewing how he went Farther than he intended, and came safe Home again ” was a poem penned by William Cowper in 1783, which rapidly became ‘the most popular poem in England’. 

It told the tale of a certain London draper named Beyer, re-named by Cowper to ‘John Gilpin’, and follows the series of unfortunate incidents that befell him when he attempted to ride the 10 miles to an inn in Edmonton, to celebrate his 20th wedding anniversary. As his family took up the entire carriage, he borrowed a horse… which was too lively for him and would not stop! 
It was adapted into a stage play at Astley’s Theatre, London (remembered as ‘the first modern circus ring’), and published as a children’s book; this figure dates to this period. 

Here’s the relevant verses from what is a rather long original poem:

(Line 97)"...But finding soon a smoother road
Beneath his well-shod feet,
The snorting beast began to trot,
Which gall'd him in his seat.


So fair and softly, John he cried,
But John he cried in vain,
That trot became a gallop soon
In spite of curb and rein.


So stooping down, as needs he must
Who cannot sit upright,
He grasp'd the mane with both his hands
And eke with all his might.
His horse who never in that sort
Had handled been before,
What thing upon his back had got
Did wonder more and more.

Away went Gilpin neck or nought,
Away went hat and wig,
He little dreamt when he set out
Of running such a rig.


The wind did blow, the cloak did fly,
Like streamer long and gay,
'Till loop and button failing both
At last it flew away

Antique cutlery is a fascinating – and useful – collecting field. There were many different makers, creating many variations, all beautiful. And still very usable! The 200 year old steel of the Georgian implements is incredibly fine quality, and super-sharp after all those years – even without sharpening.


A selection of Antiquities released today

Antiquities, freshly mounted, including a group of American Indian stone arrowheads (one is 10,000 years old!), a small Egyptian bronze Osiris, a Greco-Roman head of Harpocrates, plus more.

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Fresh Stock – Fine Continental and English Ceramics

A wonderful selection of Vienna, Meissen, Sevres and other finely decorated ceramics for your perusal!
Mainly 18th century, you’ll find Bow, Worcester & Caughley, plus some French & German – but in particular, a fine selection of early Vienna porcelain.

This group of Vienna is a part-set, with just 3 pieces remaining – beautifully painted with flower panels on dark ‘earthy’ grounds, they are individual masterpieces in their own right!

Vienna Flower Painting 1785
Vienna Flower Painting 1785

The vienna is original 18th century; the Sevres cup & saucer, shown at the top & in detail here, is 18th century porcelain, but was decorated in the 19th century – by a very skilled artist. Stunning!

Sevres Cup Saucer cherubs
Cherubs with a goat…. 19th century decoration
Sevres Cup Saucer
Superb quality.

Bow Blue

The Bow pieces in today’s ‘Fresh’ are rather fine examples of their early products of the 1750’s. The blue is a distinct lovely rich deep tone. The fluid quality of the painting is superb – echoing the imported Chinese Export wares of the period, but in their own way. The large charger has a number of very unusual features, including the central pagoda with its buttressed supports, and the speedy boat at lower left, piloted by a hunched over figure in the stern, the movement shown by a radiating wake!

Each piece has a damage – the charger a factory flaw to the central tree, the punchbowl a chip & crack to rim restored – hence their tempting prices, $1650 on the charger and $850 on the punchbowl.

Today’s Fresh Additions

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Antiquities – Recent Additions

Hoi An Shipwreck Ceramics 1480
Antiquities
Antiquities – thousands of years, and surprisingly inexpensive!

We go back to the beginning in this stock release of Antiquities.
We’ve stocked Antiquities at Moorabool for many decades, beginning in the 1990’s when a young Paul Rosenberg studied the subject at University. When he lived in London and studied at Christies, he discovered the amazing world of the Antiquities Trade in London. Through good fortune, he befriended an elderly dealer who took him under her wing and taught him the ropes. This was a time when the Middle-East was opening up, and masses of items were flooding into Europe: one of the first lessons was to avoid such sources!
Firstly, they were illegal; the items had been ripped out of the ground and sold without provenance. The funds were flowing back to undesirable causes….
At the same time, there were workshops making ancient artifacts: many were very convincing, with even the large dealers being caught out by cunning fakery.
The best way to ensure authenticity, he was taught, was to find pieces from old collections. The thing about fakes is that they were pretty bad in historical times: there was not much understanding about technique and style, and things such as materials used and techniques of construction were not ‘faked’ – the fakers used materials at hand, and modern tools & techniques. They often look pretty bad when put alongside a genuine piece.
This all changed in the latter 20th century: publications explaining how to tell a genuine item – and then the internet – meant there was a resource for fakers to learn how to fool the experts. This is particularly apparent in the world of Chinese Antiquities.
Moorabool follows these lessons today – sourcing pieces from old collections when possible – and Melbourners of the past were great collectors of Antiquities.

Today’s Fresh Stock release is a fine selection of interesting ancient artifacts.
All Guaranteed Genuine – we provide a certificate with each, and they prove to be very popular gifts.

Their fascination is universal, and the age alone astounds young & old: to hold one of these pieces is to hold a small part of our humanity. It’s where we all came from, and really puts the present into context.
Enjoy!

Roman Bronze Mirror

Mirrors on the Ancient World

The discovery of Bronze working gave rise to the introduction of the first mirrors: the shine of newly spelted bronze allowed the onlooker to see their image reflected, and so it was only natural that flat bronze surfaces were polished for that purpose. Egyptian mirrors emerged 6,000 years ago, and Chinese bronze workers independently developed very similar products shortly after. The Greeks followed, and then the Romans. During their empire, they were made all over Europe, and the example we have dates to this period, 2nd-1st century BC. As the Roman Empire faded into the so-called ‘Dark Ages’, mirror technology was forgotten in Europe – but never in China, and the Middle East. Their re-emergence in Europe coincides with the expansion of the ‘Viking’ trading networks across the continent, and their interactions with the Middle East. Mirrors appear again in the early Medieval period in Northern Europe, 9th-10th centuries AD. A topic for another blog!
The mirror in today’s Fresh is from the Roman period, dating to the first few centuries BC.

Chinese Antiquities

As you will notice, we have a good stock of early Chinese pieces.
These were purchased by Paul, mostly in Hong Kong, in the 1990’s and early 2000’s. At that time, there was a vast amount being uncovered in China, due in no small part to the rapid investment by the government in infrastructure: the network of roads, railways, and entire new cities throughout the regions that had 5,000 years of history just beneath the soil led to the inevitable destruction of a vast number of archaeological sites.

Han Dynasty Mill, 206BC-221AD
Han Dynasty pottery model of a Mill, 206BC-221AD

Case point: the Three Gorges Dam, the largest project of its kind ever undertaken, began construction in 1994. It flooded a very important part of the country, the river valleys where Chinese civilization had taken root from the Neolithic period 6,000 years ago through to the present. Over 2,000 modern-day towns and villages were destroyed, with the water level rising 91 meters to create a lake 600km long…. the quoted number of archaeological sites destroyed by this is 1,300, but this is unverifiable, and depends on the definition of ‘site’: an area as well populated for so many thousands of years would have been saturated with cultural remains. Some buildings were relocated, but the vast majority was left to the floodwaters – or recovered & sold. This process repeated itself all over China as their market capitalism experiment took root: the vast number of factories alone that were constructed, and the towns to house their workers, required a huge amount of land, which was often full of cultural artifacts. The scale of it meant that while archaeologists were involved with some – and hopefully the most important – recoveries, it was the developers and contractors who were responsible for collecting items from a project. These items were then sold, and made their way to the West.

Tang Dynasty Figures, 8th century AD
Tang Dynasty pottery Figures, 8th century AD


This all changed by the end of the decade. China introduced strict laws, and Chinese Culture – which had been despised by the previous mindset of the ‘cultural revolution’ (responsible for the destruction of vast amounts of Chinese Art & Artifacts) – suddenly became a focus. The export of such items was halted, and Hong Kong suddenly became bare of Chinese Antiquities…
That is, until the fakers got to work. With the original Chinese source ceasing, the gap in the market became lucrative for brand-new antiquities. Ironically, many of these are probably made in China, and perfectly legitimately exported as copies. Unfortunately, they are often sold as original in the West; to see examples of this you have to look no further than the popular online sales platforms, awash in recent copies and impossible to tell from a photo in most cases.
We have a stash of good original pieces, put aside over 20 years ago and only recently brought out to be catalogued.
The best of these pieces is the duck below: he had a chipped beak, so had not been offered for sale – now his beak is fixed, he’s a handsome, large rarity, straight out of a Chinese farmyard 2,000 years ago.

Han Dynasty Tomb Model - Goose
Han Dynasty Model Duck (or Goose?), 206BC-221AD

Hoi An Shipwreck Ceramics

Back in the early 2000’s, a sensational shipwreck recovery hit the market. Under the sea for 500 years, these desirable little pieces of Annomese – meaning Vietnamese – ceramics are actually not even ‘second hand’ – they didn’t make it to their destination when originally made!
They were produced at Chu Dau, near Hanoi, where an excavated kiln site of the period matches the shipwreck finds exactly.  They were, of course, entirely hand-painted, and it is the calligraphic style of this brushwork that attracts the eye of the collector. They come from the ‘Golden Age’ of the Annamese ceramics tradition, a short period at the end of the 15th century when opportunity favoured the Vietnamese potters. China, with its immense trade network, had collapsed into civil war, and overseas trade was shut down for a period by decree of the Emperor.
Vietnam, with many Chinese traders & potters, already in place, was in the perfect position to take on this lucrative production & trade, with South-East Asia and the rich kingdoms of present-day Indonesia being the markets where there was high demand for ceramics. It is no coincidence therefore that they borrow heavily on Chinese design – and yet there is a distinct individuality to the products.